jtucker
03-13-2009, 09:13 AM
I know several people have been disapproving of Koster's playing as exemplary for beginner flamencos, but I'd like to give him props for the actual material presented in his books. I'm still pretty beginner/intermediate and I'm almost done with Juan Martin's El Arte books I and II, which I've really enjoyed. I bought the Koster books just to get another perspective and more ways of doing things. The teaching of several different palos, one technique at a time is an interesting way, don't know if I like it or not. Martin used the teaching of one palo with several different techniques at a time, and that felt quite natural.
Koster's books are great for some of the traditional compas sequences or falsetas that kind of get taken for granted. Several times, as I've been listening to the cd and following along in the book, I've heard things that I hear in just about every flamenco's bag of tricks but have never been able to learn from cd's. There's been several times where I'm like, "AHA! That's how they play that!" and Koster has it written right down for me.
There are some stylistic things in Koster's books that I don't really agree with, like the overuse of chromatic chord changes (mostly in his alegrias compas) and the lower register chord alterations during rasgueado passages (muddies up the sound too much for me). That said, I'm glad I bought the Koster books and will definitely incorporate a lot of the material into my playing. It's also nice to have some easy-ish Sabicas falsetas that I can cut my teeth on.
Anyway, that's my two pesetas. I'd love to see what you all feel about Koster's books, good or bad.
Koster's books are great for some of the traditional compas sequences or falsetas that kind of get taken for granted. Several times, as I've been listening to the cd and following along in the book, I've heard things that I hear in just about every flamenco's bag of tricks but have never been able to learn from cd's. There's been several times where I'm like, "AHA! That's how they play that!" and Koster has it written right down for me.
There are some stylistic things in Koster's books that I don't really agree with, like the overuse of chromatic chord changes (mostly in his alegrias compas) and the lower register chord alterations during rasgueado passages (muddies up the sound too much for me). That said, I'm glad I bought the Koster books and will definitely incorporate a lot of the material into my playing. It's also nice to have some easy-ish Sabicas falsetas that I can cut my teeth on.
Anyway, that's my two pesetas. I'd love to see what you all feel about Koster's books, good or bad.