Edmund Blochinger "Llobet"

Details

Year: 2014 Top: Spruce
Back & Sides: CSA Rosewood Scale Length: 650 mm
Nut Width: 52 mm Finish: French Polish
Country: Germany Condition: New
Case: Yes Exchange Policy: ExchangePlus

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ITEM: 03612D
AVAILABILITY: Out of Stock

Description

Firmly established as one of the top living builders, master luthier Edmund Blochinger is now in great demand world-wide. He originally began building his guitars in the style of Hauser and Torres and in recent years has been influenced by the great Spanish masters of the late 19th and early 20th centuries, particularly Antonio de Torres. For years, Pepe and Celin Romero have been great champions of these instruments and they both play on Blochinger guitars regularly as one of their main concert instruments. Celino Romero has also been touring and recording on a cedar Blochinger as well. In Pepe's words, Blochinger is "one of the greatest" luthiers in the world today. Many other young professional players and competition winners also play Blochinger instruments.

This guitar is inspired by the 1859 Torres that was played and cherished by Miguel Llobet and is now housed in the Museu de la Musica in Barcelona, Spain. Rather than a literal copy, Blochinger has seamlessly fused elements of the historical guitar into his own design. It has enormous charm both aesthetically and sonically. The tone is warm with a beautiful soft glow but is also very penetrating and clear. It has huge volume and copious amounts of energy that eminate from the slightly smaller body size, making it an absolute delight to play. The comparison was recently made by another owner of this model - "it's like a Porsche, small and fast!" On stage, it has great projecting power and an outstanding richness of tone. This guitar has harmonically full trebles in particular - giving it a loose, warm sound and feel usually only found in old guitars that have been played in for many years. It also boasts one of the most comfortable neck-shapes (the entire neck and heel unit being made from a single piece of wood), and the finish on the back of the neck is done in such a way that the left hand plays effortlessly, with no "stickiness" for the left thumb. Materials are all first-quality throughout - note the striking sapwood elements in the rosewood throughout, and the gorgeous satinwood binding in particular. Overall, a complete masterpiece in all respects.

Orfeo article on Hauser III, Blochinger and Ober

Luthier Bio: Edmund Blochinger