Feb
21

Garrett Podgorski is a 16-year-old high school Sophomore who has been playing the guitar for one year under the tutelage of Kevin Enstrom. He emailed us about coming in to do a video and we thought it would be a great idea, so here’s Garrett playing Etude 1 by Heitor Villa-Lobos on a beautiful new 2018 Carlos Juan Busquiel guitar in spruce and Indian rosewood. This is one of the first two instruments we have received from Busquiel and we are very excited about representing him in the US.

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Feb
21

Here’s Chris Garwood checking out a brand new 2018 Zoran Kuvac guitar in spruce and CSA rosewood. This is Kuvac’s 250th guitar, and it is structurally inspired by the great French luthier Dominique Field, though the design of the instrument is Kuvac’s own. It is a gorgeous guitar with a thick, rich sound and great power.

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Feb
21

Here’s Chris Garwood checking out a gorgeous new 2018 Jake Fuller ‘Purnell’ guitar in spruce and English cherry – a guitar that in looks and sound is very reminiscent of a cypress Torres, without being a replica. This guitar is a fantastic example of the tremendous power and punch that a light build can deliver.

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Feb
15

Take a listen to this compilation of the music made by Aaron Larget-Caplan right here in our showroom.

Emilio Pujol ‘El Abejorro’                                             Franz Schubert ‘Stänchen (Serenade)’
Selections from Keigo Fujii’s ‘Hagoromo’                                  Roland Dyens ‘Tango en Skaï’
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Feb
13

Saro Babikian is a student of Scott Tennant at USC where he is an undergrad senior, and he came highly recommended by Scott. He came in to record some videos and here he is playing Leo Brouwer’s Tres Apuntes: The first on a 2004 Darryl Perry, the second on a new 2018 Carlos Juan Busquiel and the third on a new 2018 Wolfgang Jellinghaus – the latter two both new makers in the GSI roster.

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Feb
13

Here’s another great piece from the duo of Aaron Larget-Caplan and Peter Janson – their arrangement of the Adagio from Rodrigo’s Concierto de Aranjuez for two guitars. Aaron plays a 2017 Felipe Conde Crespo classical in spruce and African rosewood and Peter plays a 2001 Manuel Diaz flamenco in spruce and CSA rosewood.

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Feb
13

Here’s the latest tutorial from our friends at EliteGuitarist.com – Ines Thome’s lesson on Barrios’ beautiful tremolo piece Una Limosna Por el Amor de Dios. Ines plays a lovely 2015 Woon Sun Lee classical in cedar and maple. You can watch the full tutorial here, or click over to EliteGuitarist.com for this and more great tutorials on a great variety of classical guitar masterpieces.

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Feb
09

For the sixth consecutive time, Yamaha is sponsoring the Six String Theory Competition, hosted by Grammy®-winning guitarist and producer, Lee Ritenour.The biennial competition accepts performer applications for guitar, bass, piano/keyboards and drums, and offers winners performance opportunities and scholarships, as well as prizes from sponsors.

Registration is open January 15, 2018 via the contest website, Sixstringtheory.com, and entries are made by submitting two YouTube videos for consideration. Registration closes May 31, 2018 and winners are announced the first week of June 2018.

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Feb
08

Here’s GSI’s Chris Garwood getting to know a new 2018 Wolfgang Jellinghaus ‘Signature’ model in cedar and Granadillo. This guitar is a cedar double-top with Granadillo back and sides, a floating raised fingerboard and an armrest. It’s one of the best double-tops we’ve seen, especially at this price, and we are very excited to be representing Jellinghaus in the US!

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Feb
07

Here’s Matt Bacon playing one of his own compositions and a piece from his upcoming book Elements of Indian Music, Vol. 1, which will be published by Mel Bay this May. He plays his Masala Blues on a magnificent 1979 ‘Churchdoor’ Rodriguez in cedar and CSA rosewood, and his arrangement of Kanakangi by Radhika Iyer on a beautiful new 2017 Felipe Conde Crespo classical in spruce and African rosewood.

Kanakangi is the first etude in Matt’s new book, which features 12 etudes arranged by Matt for classical guitar. Each etude is based off Hindustani and/or Carnatic raags and written in standard Western notation. The pieces range in difficulty from beginner to advanced and offer musicians a chance to experience Eastern music while maintaining the familiarity of Western notation. I’m looking forward to diving in when the book comes out!

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