Posts from ‘Feature Articles’

Jan
23

mics

We wanted to take a minute to thank Apogee and AEA (Audio Engineering Associates) for all of their help recording the Cleveland Collection guitars. In addition to letting us use their Berkeley studio and the great gear there, Apogee have been letting us use one of their Ensemble interfaces. For the bulk of the GSI videos we use the Apogee Duet interface and mic pres (Andrew York’s Yamour video, below, is a great example of what the Duet can do), and the Ensemble gives us more channels and more mic pres in a unit not quite as portable as the Duet but perfect for a live rig and definitely a few steps up in terms of features.

For most of the GSI videos we use a pair of vintage Neumann km84’s, which are as close to industry-standard as it gets for recording guitars, but there’s something that happens with ribbon microphones that can be kind of magical, so it’s been amazing to be able to use some of the great AEA ribbon mics for Andrew York’s ‘Equations of Beauty’ shoot as well as some shoots with Scott Tennant and Billy Arcila (coming very soon). As you’ll hear, the ribbons capture what you might describe as the wood of the guitar in a unique and beautiful way. Their 44ce is an update of the classic RCA 44 – you’ll have seen Sinatra, Bing Crosby and thousands more singing through these in movies – which is still considered one of the best microphones ever made. Their N22 is a modern phantom-powered design that somehow feels like a combination of the best qualities of the 44 and the Neumann km84. Check out the Fret-X video below to hear the N22s through the Apogee Duet mic pres recording a guitar duo.

Also be sure to check out Andrew York’s new piece The Equations of Beauty, recorded at Apogee’s Berkeley Street studio with their flagship Symphony interface (recorded just before the new Mk2 Symphony was launched) with AEA’s 44ce and N22 microphones.

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Nov
18

Cds

Our good friend Felipe Conde posted a list of his top 10 classical guitar CDs, and we instantly disagreed with everything, then realized there were some great CDs there, then thought of better ones, then realized those couldn’t really be the best, right? I mean you have to have some Segovia, but which one? Any box set? Anyway, there’s no answer, of course, but we’ve been having some fun with it, so here are Felipe Conde’s choices, followed by David Collett’s. Let us know how wrong we all are and which 10 CDs you’d take to a desert island. Forever.

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Nov
13

Collection

We are thrilled to announce that GSI has just acquired the Russell Cleveland collection, made famous in the book Classical Guitar: A Complete History. As you’ll see in the press release below, this collection includes Segovia’s Ramirez, Bream’s Hauser, an 1888 Torres, Bouchet’s very first guitar and 59 other historically significant guitars.

Our first priority was to get the guitars safely from Texas to Santa Monica, so David Collett, JohnPaul Trotter and Andy Lee flew out to Dallas, and then JohnPaul and Andy embarked on a pretty epic road trip with a U-Haul full of amazing guitars. They drove straight through and we all got a chance to see and play these incredible instruments, as you can see in the photos.

In coming weeks we will begin to record these guitars for posterity, and we will do our very best to get the best players possible and make some great videos that will stand as records of these historic instrument.

You can see guitars from the Cleveland Collection here, and in coming weeks we will be posting all of them.

Read on to see the press release and some inital photos of these guitars.

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Oct
26

Orfeo#6_an

Orfeo Magazine has published a feature article in their latest issue for Autumn 2015, taking a look into the workshops and at the work of master luthiers Andrea Tacchi, Luigi Locatto, and Lorenzo Frignani. Featuring interviews with the luthiers themselves, as well as highlighting some of the unique approaches these luthiers take when building their instruments, this issue is loaded with tons of great information for anybody interested in the art and craft of luthierie, as well as classical guitar in general. This issue also has some splendid photography, some nice shots of the luthiers and their workshops accompany the articles to give the reader a well rounded image of how and why these craftsmen do what they do.  Click here to see the full issue of Orfeo. Also, check out some of the guitars we’ve had here at GSI as the exclusive retailers for these fine luthiers in the United States. You can see all of the guitars we’ve had from the workshops of  Tacchi, Locatto, and Frignani in our store and in our museum archive.

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Aug
27

jp&josinaldo

Last Friday, JohnPaul and I delivered 22 Córdoba guitars to Josinaldo Costa, head guitar instructor at Servite High School in Anaheim, CA. We were there to learn, but about the Servite guitar program of course. We found out a lot about Josinaldo and his thoughts on the current state of the guitar. JohnPaul and I were very pleased to know that these instruments will help Servite’s guitar program directly, as Josinaldo’s students will be using them, and we were just as excited to have caught a glimpse of the caliber with which his students are performing. They can play! Check out the photos below detailing our trip and the classroom action we experienced.

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Aug
21

joseramirezdynasty

Very few names have been as influential in the development and history of the guitar as the name José Ramírez. The family tradition was born around the year 1870, when a 12 year-old boy began an apprenticeship at a local builder’s workshop. He worked to develop his skills and in 1882 he founded the José Ramírez workshop. Now in its fourth generation, with Amalia Ramírez carrying on the legacy, the Ramírez name continues to be the gold standard by which all other Spanish classical and flamenco guitars are measured.

Here, we have compiled a brief but robustly informative history of the José Ramírez dynasty, which so grandly continues to impress historians, audiences and players alike for its output of guitars that capture the Spanish tradition and soul. To go more in-depth into each generation’s special contributions to the guitar and the famous workshop, click on each individual.

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Aug
14

valseana

“It’s not just a gimmick – this is a varied and delightful set of waltzes” – C.D. (reviewer at Classical Guitar Magazine)

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Aug
12
Label

 

“A Dream Comes True” by Finn Wandahl

It was in the summer of 1972. I was a young, promising guitarist at 17 years of age who had just passed the entrance examination for the Royal Danish Conservatory of Music and was now spending the summer in Nice where French guitar virtuoso Alexandre Lagoya had been offering masterclasses every summer. I had not yet fully developed my technique and thus got to play for Lagoya only once. However, I did attend his master class lectures and was even taught by his assistant, a young French guitarist named Yves Chatelain. The lessons were held outdoors, in a wonderfully lush cloister garden porticoed on all sides. It was in these beautiful surroundings, where the lifelong dream of a guitar came to my young mind. Continue Reading

Aug
12

Cohen-21-min

John Gallo, a fine art photographer and photo essayist, has recently completed a piece on English luthier Brian Cohen. Titled “The Six Strings of a Guitar”, Gallo’s essay tells the story of how a guitar is born; specifically: the 2014 Brian Cohen that just passed through our showroom. The essay is expected to be featured in National Geographic later this year or early next year, but John has graciously allowed us to showcase his work on our blog for you to view in advance.”The Six Stings of a Guitar” is a unique artistic piece that beautifully captures the essence of luthierie as both an art and a craft, and we are grateful to John Gallo for allowing us to share this one-of-a-kind experience with you.
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Aug
04

“Guitar Aficionado Magazine” has done a feature article about Guitar Salon International in their September/October 2015 issue! The article includes an interview with David Collett, President of GSI as well as with Tim Miklaucic, owner and CEO of GSI and Cordoba Music Group. We would like to thank the team over at Guitar Aficionado Magazine for not only featuring us in their publication, but also for allowing us to use their images to share with you. Read the full article below.

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