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“IndoBalkan” is the newest album by Goran Ivanovic & Fareed Haque, who both stopped by our showroom recently to play some compositions from their newly released CD.Continue Reading
See and hear Andrew York’s new composition on a phenomenal and original Antonio de Torres guitar from 1864. Andy went back to his 1994 album “Denouement” and revisited one of his pieces called “Numen” and decided to expand on it by writing a 4 movement work, which he’s aptly titled “Numen Suite”. The names of the four movements are: I. Numen, II. Lumen, III. Menhir and IV. Numina. Although Andy has been performing this piece recently in his concerts, this is the recorded premiere. Please enjoy this fantastic new composition played on a very rare and collectible vintage Torres!Continue Reading
With a wave of Minimalism being so ‘in’ at the moment, we thought twice about this title and image. And, on that second thought we thought, “In this case COLLECTOR is a good thing!” Just look at that great library of music.
It all belongs to Jack Silver, who has become a friend as of late as he’s shared with us his story on how he became a collector of rare recordings; the kinds that record labels dream of having and audiophiles want to discover first. In recent years, Jack released some of his obscure, unknown recordings through DOREMI Records (now distributed by NAXOS), in a series called “Andres Segovia and his Contemporaries”. There are currently 12 volumes in this series.
As part of this multi-part GSI Story Series, we give you Pt. 1 of Jack Silver’s story (in his own words) on how he got started collecting rare recordings.Continue Reading
Irina Kulikova was born in Chelyabinsk, the capital of Chelyabinsk Oblast, Russia. Under the guidance of Victor Kozlov and her mother – cellist Vinera Kulikova – she started developing her musicianship from the earliest age. At the age of twelve, she was already traveling around Russia and abroad for gala-concerts and festivals. When she reached fourteen, she was included in the book The Classical Guitar, its evolution, players and personalities since 1800 by Maurice Summerfield.
Judicaël Perroy has become widely known as an extraordinary virtuoso classical guitarist and musician with several prizes to his credit. In 1997, he captured the prestigious first prize of the 15th Guitar Foundation of America International Competition and Convention awarding him tour of the United States and Canada with more than sixty concerts and master classes. In between his North American tour that year, he gave several concerts in France where his performances were broadcast live on France-Musique followed by extensive recital tours throughout the world.
Kazuhito Yamashita is a Japanese classical guitarist who was born in Nagasaki in 1961. His technique and expression are highly regarded among peers and fans. By the age of 32, Yamashita had already released 52 albums, which altogether include repertoires for solo guitar, guitar concertos, chamber music and collaborations with other renowned musicians.
One of the leading flamenco and classical guitarist/composers of his generation, Adam del Monte has made it his life mission to fully express himself in these two genres, transcending labeling and convention. Always having incorporated a wide array of musical styles in his compositions, del Monte has embarked on a journey of creating a unique sound and language of flamenco that is both steeped in tradition and progressive in its openness to musical flavors from around the world.
Olivier Chassain was born in Paris, France in 1957. He began studying the guitar in Limousin with Roger Généraux and later became a well-rounded and founded guitarist under the guidance of Carel Harms. In 1977, Olivier was admitted to the Conservatoire de Paris where, in 1982, he earned a premier prize for his studies in guitar with Alexandre Lagoya; that same year, he also won a prize in counterpoint studies under Bernard de Crépy and one in harmony studies with Roger Boutry.
José Fernández Torres “Tomatito” was born in Almería in 1958, in the Pescadería neighbourhood. His family is associated with Almería since many generations back and has an inherent musical tradition. His Grandfather Miguel Fernández Cortés “El Tomate” was a well-known figure at private parties at the turn of the century and among the young aficionados of Almería’s traditional musical evenings, at which he played duets with his brother Antonio.
Eduardo Fernández is recognized as one of today’s leading guitarists. Born in 1952 in Uruguay, he began his studies of guitar at age 7. His principal teachers were Abel Carlevaro, Guido Santórsola and Héctor Tosar. After being prized in several international competitions, the most notable being the 1972 Porto Alegre (Brazil) and 1975 Radio France (Paris) competitions, he won the first prize of the 1975 Andrés Segovia Competition in Mallorca (Spain). His New York debut in 1977 won critical accolades, being described as “A top guitarist…Rarely has this reviewer heard a more impressive debut recital on any instrument” (Donal Henahan, The New York Times). Fernández has returned to the U.S.A. almost every season since then, playing with prestigious orchestras as well as giving recitals, always to great acclaim from critics and audiences. His London debut, in Wigmore Hall (1983), had also a great impact, and resulted in his signing an exclusive recording contract with Decca, a label for which he made 18 recordings (solos, and with the English Chamber Orchestra and the London Philharmonic), that cover a wide section of the repertoire, from Bach to the contemporary.