Stories, culture, friends and community
Live Performances

Get Ready for the 2019-2020 U.S. International Guitar Series Grand Finale – featuring: William Jenks & Ian O’Sullivan
U.S. Classic Guitar has already presented us two virtual concerts this Fall. We had a chance to hear a Grammy-Winner guitarist, Jason Vieaux and a wonderful duo of Eliot Fisk and…

In Celebration of the Approaching Day of the Dead, Mak Grgic has recorded Videos at GSI on the Iconic “Coco” Guitar!
Celebrate this year’s Day of the Dead together with GSI! This time, we have decided to prepare you for something very special – a video recorded on the famous Disney…

VIDEOS: Yamandu Costa LIVE at GSI – plus Review & Photos
Let’s be honest – here at GSI and in Los Angeles in general, we meet and hear a lot of incredible guitar players, both from seasoned professionals and the best…

Yamandu Costa Concert at GSI!
We are incredibly excited to announce the concert of Brazilian virtuoso Yamandu Costa on October 24th in our Santa Monica showroom! Past artists to perform at GSI have included Roland…

The Romeros and Daniel Ho
We were fortunate to be able to record a concert last year of the entire Romero family along with virtuoso ukulele player Daniel Ho. The concert featured duets by Pepe…

Roland Dyens – Alba Nera and El Ultimo Recuerdo (1969 Friederich)
Here’s Roland Dyens from our concert last month playing two of his compositions – Alba Nera and El Ultimo Recuerdo – on that great 1969 Daniel Friederich.

Roland Dyens – Two Waltzes on a 1969 Friederich
Here’s Roland Dyens playing his arrangements of two waltzes – Tchaikovsky’s Barcarolle and Chopin’s Waltz Opus 69 No. 3 – on a gorgeous 1969 Daniel Friederich at our recent concert…

Roland Dyens – The Wiz and Angelo’s Waltz
Here’s more of Roland Dyens from our Live at GSI concert last month. This time he plays two pieces he wrote in California – The Wiz and Angelo’s Waltz –…

Roland Dyens Live at GSI – Prelude
Here’s the first video from last month’s Roland Dyens concert here at the GSI showroom. As always, Dyens opened with an improvisation, or prelude (he explains why perfectly at the…
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