1919 Santos Hernandez SP/CY (Romero collection)


Year: 1919 Top: Spruce
Back & Sides: Cypress Scale Length: 655 mm
Nut Width: 50 mm Finish: French Polish
Country: Spain Condition: Excellent
Case: Yes Exchange Policy: ExchangePlus


ITEM: 06175


This instrument was one of six guitars from Pepe Romero's personal collection that were featured in a memorable event in the GSI showroom on June 1, 2013. These 7 instruments were chosen in particular since they are the key guitars that have most influenced his son, luthier Pepe Romero Jr., over the course of his life, both before and during his activity as a luthier. The guitars were presented by Pepe Jr. and played by none other than maestro Scott Tennant. This was about as personal a connection with these absolutely historic guitars as one could get, with background stories and information provided by Pepe Jr. who has studied these guitars intimately (and literally lived with them). And to have them played by Scott Tennant in a great-sounding intimate space made this a once-in-a-lifetime concert. Click here to see photos of the event.


This instrument was featured in the June 1, 2013 event at GSI, and is now available for sale.

Santos Hernandez is quickly joining the ranks of Torres and Hauser I in terms of collectibility and historical importance. Santos became a very established maker early in his career when he became known as the builder of the Manuel Ramirez guitar of 1912 that was owned and played by Segovia. Many others have played his instruments, including Regino Sainz de la Maza (for whom the Concierto de Aranjuez was written), Eduardo Abreu, and the Romero family among others. This particular guitar, built in 1919, is a gorgeous example of Santos’ work, and is one of the foundational instruments that has influenced Pepe Romero Jr.

Pepe was given this guitar as a gift early in his career by his father, who allowed him to choose one Santos from several in his collection. Pepe Jr. chose this instrument for its beautiful sound, warmth, clarity, and soulful voice. Although a cypress guitar... it was built at a time when no distinction was made between "classical" and "flamenco" - it's essentially a great "guitar" and can accommodate both styles of playing beautifully. This realization has profoundly influenced Pepe Jr.'s approach to guitar making. A quick look at the head shape and the shape of Pepe Jr.'s headstock is discernible as well.

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