Manuel Ramirez

Details

Year: 1900's Top: Spruce
Back & Sides: Cypress Scale Length: 646 mm
Nut Width: 50 mm Finish: French Polish
Country: Spain Condition: Excellent
Case: Yes Exchange Policy: ExchangePlus

Shop

ITEM: 06849
AVAILABILITY: In Stock

Description

The Manuel Ramirez shop is undoubtedly the most important workshop of the early turn-of-the-century, post-Torres era of guitar making. Manuel Ramirez (1864-1916) committed himself to ensuring the survival of the "Torres" design into the 20th century (and beyond). With his vision and determination, coupled with a shop assembled of the finest builders alive at the time (including none other than Santos Hernandez, Domingo Esteso, Modesto Borreguero, Pascual Viudes and very likely Enrique Garcia), he successfully produced great instruments that secured the legacy of Torres for all future generations of guitar makers. This particular guitar is a perfect example of the style and sound that had such a profound impact on its listeners and players. It's a small-bodied instrument with deep basses, golden and vibrant trebles, and rich textures of sound interwoven with the clear, bell-like fundamentals.

Its feather-like weight gives it incredible volume and instant response. It is no wonder that in recent years more and more contemporary luthiers have worked to re-discover this style of build, as it has an absolutely mystical and magical charm that has continued to captivate players and listeners from the turn of the 19th century up to the present. The sound is unmistakably Spanish - deep, dark and mysterious, and the experience of playing a guitar like this is unique, likely also due to the age and its having been played regularly for over 100 years. It was fitted by Yuris Zeltins with machined "Planetary Pegs" for vintage look but easy use. Original pegs are included with the guitar should a future owner wish to re-install them. It is in excellent condition, with one well-repaired hairline (and nearly invisible) crack in the top (glue only) and one in the side, repaired with old music notation paper internally. This guitar would make a fantastic concert as well as recording instrument for either classical or flamenco styles of playing - this guitar was built in a period where the distinction between "classical" and "flamenco" was not yet being made. It's simply a great "guitar" - its versatility as a musical instrument beautifully accommodates virtually any style brought to it by the hand of the individual player.




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