British luthier Jake Fuller
has been building guitars for nearly two decades. His passion for making classical guitars resulted from a combination of his early woodworking background (inherited from his father and grandfather), as well as being a guitarist himself. His Cornish grandfather was a wheelwright and made almost anything which could be built with wood such as carts, wheelbarrows, gates and furniture. Jake's workshop contains several of his grandfathers tools and even one of his tables that is used for the workbench. Jake sadly never met his grandfather for he lost a leg in WWI and died fairly young (he even built his own wooden leg!). Jake therefore uses his name - "Purnell" (which is also Jake's middle name) for his guitars as a tribute to this inspirational figure. Grandfather Purnell passed on his interest in woodworking to Jake's father who is a toy maker. It was growing up in the toymaking workshop where Jake learned his initial woodworking skills. Jake spent what would be essentially be his apprenticeship with him making toys in Suffolk.
Playing the guitar was something Jake had always done, and he is continues to play to this day. At 16 he started classical guitar studies which launched his fascination with the instrument itself. After graduating from the London Guildhall University (where he studied with David Rouse and David Whiteman), earning a BA in Musical Instrument Tech, Jake set up a workshop first in Laxfield and then in Reydon, Suffolk where he has been making guitars ever since.
This is an excellent and very impressive guitar all around - his 100th to date! As with all of Jake's guitars, workmanship is clean, simple and refined. The sound itself is textured, with ample overtones yet excellent clarity and balance - a wonderful synthesis of the Spanish and Northern European styles. The body of the guitar is very light in weight making it respond like an early 20th century Spanish guitar, but it has a slightly "weightier" neck and stiff neck joint which gives it noticeably increased sustain, balanced across all registers. Playability is a breeze with a very easy and comfortably shaped neck profile. Suitable for any size auditorium - also a wonderful recording instrument.
This instrument has a lovely a spruce top and maple back and sides, with walnut bridge, bindings and head veneer (no rosewood at all on this guitar). Some lovely inlay work in the headstock and walnut back strip give the guitar a refined and charming appearance. It also features a new structural design, which we’ll let Jake describe:
"The guitar has a new design for the back, using a raised central strut housed into four highly tapered transverse bars. It’s lightweight and rigid longitudinally, giving extra structural stability to the guitar as a whole. The back now moves more uniformly and the air resonance has dropped down a tone. Subsequently the guitar has an enhanced bass response but retains definition, and the trebles are nice and open. Combined with a slightly stiffer soundboard than previous guitars, (achieved by heightening the transverse bars in the soundboards lower bout)." Overall a beautiful looking and sounding guitar by any measure.
Photos taken during construction.
Luthier Bio: Jake P. Fuller