Hermann Hauser Sr. (1882-1952) is best remembered for the remarkable instruments he built in the Spanish style after 1924. In that year, both Andrés Segovia and Miguel Llobet visited Hauser. Segovia was impressed by the quality of Hauser's work and wrote his impressions, noting that he "immediately saw the potential of this great artisan if only his mastery might be turned to the construction of the guitar in the Spanish pattern, as immutably fixed by Torres and Ramirez as the violin had been fixed by Stradivarius and Guarnerius" (Segovia in Guitar Review 1954). Segovia encouraged Hauser to build instruments based on his 1912 Manuel Ramirez guitar (built by Santos Hernandez) after he examined and made measurements of this instrument. At this time Hauser also had the opportunity to examine Miguel Llobet’s famous 1859 Torres which would also become a decisive influence on the maturing "Hauser" style.
This instrument is a supreme example of the mature "teutonic" Hauser I style at its zenith. It has the classic curves, compact (yet sturdy) build, and aesthetic features that make this one of the most iconic (and copied) models in the history of the craft - this is a full-sized guitar, nearly identical to Segovia's 1937 Hauser in terms of measurements and internal structural details. Not surprisingly, it also has the unmistakeable 'archetypal' Hauser I sound that has mesmerized audiences for nearly a century in the hands of players such as Miguel Llobet, Andres Segovia, Julian Bream, and countless others. The tone can be described as having virtually everything one could ask for on a wish-list of sonic qualities - a piano-like clarity in all registers, precise balance and a vast color palette (bright and brassy when played ponticello, milky and luminous when played sul tasto, and everything imaginable in-between). Every note has a clearly defined and "anchored" fundamental at its core with very controlled and transparent overtones coating each note. For fear of overstating just how refined and beautiful the sound of this instrument is, in over 30 years of being in business we have seen only a handful of other "teutonic" style Hauser I instruments of this caliber. This is truly an exceptional and rare example of this makers best work. As if this wasn't enough - the guitar is in fantastic condition - it has no cracks or repairs of any kind, and only has a modest amount of minor, superficial playing wear including a small, nearly invisible ding behind the bridge. For those in search of the ultimate Hauser I, this has it all - the elegant and classic Hauser design, superb feel and playability, and most importantly - incredible nuance and subtlety of sound.