La Canada "Catedral 74"
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AVAILABILITY: In Stock
The "La Cañada" series of guitars is a collaborative effort between world-renowned master luthier Edmund Blochinger and his friend Wolfgang Jellinghaus of "Milestones" guitars - which is known for its variety of period-style replica guitars of iconic makers from the 18th and 19th centuries. For the "La Cañada" series, Blochinger has studied, measured and evaluated several original instruments of Antonio de Torres and Miguel Rodriguez over the years and felt it was a great opportunity to take several of his favorite plans to Jellinghaus for the purpose of creating a line of high-quality, but affordable instruments based on these iconic masterpieces of the past. The lineup currently includes two Antonio de Torres and one Miguel Rodriguez model. The first of the two Torres models is based on a first-epoch Torres (FE 17 – ex Tarrega) and the other on a second epoch Torres from 1888 (SE 115 – ex Pujol). The plantillas and structural details are considerably different from one another and offer two distinct experiences of playing a contemporary guitar built in two of the great classic, vintage styles. The Rodriguez model is based on Celedonio Romero's 1974 Churchdoor guitar, also known as "La Catedral" which is now in the possession of Pepe Romero. Hand-built to Blochinger’s specifications in Jellinghaus’ small facility in China, these are small-production, concert-level instruments made with select and beautiful materials and French polished finish. Additionally, the Torres models are offered with either an "antiqued" look or "new" look. At this price point these are a great value for the serious student or concert player on a limited budget.
The "Catedral 74" model is based largely on the iconic 1974 Miguel Rodriguez "Churchdoor" owned by Celedonio Romero and now Pepe Romero, which Edmund Blochinger has been able to inspect in detail over the years. The essential elements of the original instrument have found their way into this model in the La Cañada series including a big deep bottom-end with thick, robust trebles. Most importantly however is the immediacy of the sound - it has instant attack making it a very nimble and agile guitar under fast fingers. As outstanding the tone is for playing classical music, it would be equally at home if played as a lively flamenco negra, or for that matter - virtually any style of music from the baroque to Brazilian jazz. This is simply a great all-purpose concert guitar in every regard.
Note: Stock photos may be used for this model listing. The exact guitar pictured may no longer be available, and may differ slightly from current inventory. Please contact us
with any questions.
La Cañada review in "Classical Guitar Magazine" with Marc Teicholz video demonstration