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. Guitar sales through the GSI Foundation raise money to directly benefit music education in public schools. Feel free to contact us
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A native of Florence, Italy, Andrea Tacchi
is arguably Italy's foremost contemporary luthier and is ranked among the top handful in the world by players and collectors alike. His interest in guitar making started very early in his life - he built his first guitar at age 15. In 1977 he began the serious study of guitar making with Argentinian luthier Ricardo Brané. After Brané’s death, Tacchi traveled extensively (starting in the early 1980s) in pursuit of mastering his craft. In Spain he spent time in the workshops of Jose Ramirez III, Paulino Bernabe Sr, and Francisco & Gabriel Fleta; and in England with Jose Romanillos. But perhaps his most influential trips were those to France where he befriended and consulted with Robert Bouchet and Daniel Friederich, whose approaches and aesthetics would greatly impact Tacchi's developing style. His reputation internationally was boosted in 1985 when he competed in the Concours International des Facteurs de Guitare organized by Robert Vidal of Radio France - Tacchi won first prize for Aesthetic Qualities and second general prize for Acoustic Qualities. His instruments have been played by several notable guitarists including Filomena Moretti, Flavio Cucchi, Carlo Marchione, Antigoni Goni, Robert Gruca, Colin Davin, Minoru Inagaki, and Marcelo Kayath, while others belong to important private collections. Two of his guitars are in the collection of the Conservatorio Luigi Cherubini in Florence, Italy.
This is Andrea Tacchi's flagship model, the "Coclea". Known largely for his "Coclea Thucea" model which employs the use of both cedar and spruce for the soundboard, this variation is his "Coclea Abete" model - which is entirely spruce. Tacchi first had the idea for this design 1989, when he first publicly unveiled his "Coclea" model – named after the Latin word for the part of the inner ear that transforms sound vibrations into the psychological sensations of volume, timbre, and tone. It is based on geometric and mathematical concepts that Tacchi discovered in researching the dimensions and proportions of old stringed instruments (including not just guitars but also instruments from the violin family), as well as more abstract concepts such as Fibonacci sequences (as in the shape of the human "coclea"), and the relationships found in the careful combining of circles and spheres to generate his plantilla (outline shape of the guitar) as well as the side-view shape with its unique back and soundboard doming.
Notable qualities of this guitar are an easy emission of sound, a great variety of timbre, polyphonic clarity, increased volume, great playability and relaxed, comfortable string tension. Like the guitars of Daniel Friederich, the sides of this guitar are lined internally with mahogany, which assists in the production of a clean, focused quality of sound emanating from the box. Overall a very sophisticated guitar, successfully achieving its intended aims, the primary of which is beauty of sound.
Luthier Bio: Andrea Tacchi
Orfeo Magazine article on Tacchi, Locatto and Frignani