2018 Felipe Conde "FC 28" SP/AR
This negra is the same model as that made famous by Paco de Lucia. It has a driving, aggressive qual..
2018 Masaki Sakurai “Special” SP/CSAR
这把 2018 年Masaki Sakurai “Special” 是一把古典吉他,面板为云杉木,背侧板为 CSA 玫瑰木,产于日本东京。模型“Special”款在细节处理上比“Concert-J”款..
2018 Hermanos Camps "CL20-S" SP/EE
The "CL20" is a concert-level instrument with plenty of power and richness of sound to satisfy virtu..
2018 Marlon Navarro Alvarez "Student Classical" SP/PE
Marlon Navarro Alvarez is the son of Francisco Navarro Garcia who in turn is one of Mexico's finest ..
2018 German Vazquez Rubio "Concert 635" SP/CSAR
This is a beautiful concert instrument featuring several unique and striking design elements. Materi..
2018 Carlos Juan Busquiel SP/MP
This is a beautifully made guitar - indeed our first from this maker, whom we are very pleased to ha..
2018 Masaki Sakurai “PC” CD/CSAR
这把 2018 年Masaki Sakurai “PC” 是一把古典吉他,面板为雪松木,背侧板为 CSA 玫瑰木,产于日本东京;Olivia Chiang 在上面的视频中用一把 2018 年的“PC”..
2018 German Vazquez Rubio "Estudio 635" SP/PE
This modestly priced model is a genuine GV Rubio guitar built in his Los Angeles based workshop. It'..
2018 Jose Vigil SP/CSAR
这把 2018 年Jose Vigil古典吉他,面板采用四分之一锯切云杉木,背侧板采用 CSA 玫瑰木,在西班牙格拉纳达手工制作——这是我们第一把 Jose 的 CSA 玫瑰木吉他,二手,但状态极佳。..
2018 Sakurai-Kohno “Professional-J” CD/CSAR
这把 2018 年产的Sakurai-Kohno “Professional-J” 是一把古典吉他,面板为雪松木,背侧板为 CSA 玫瑰木,产于日本东京,品相近乎全新。模型1998年河野去世后,樱井正..
1978 John Gilbert SP/CSAR
一把 1978 年John Gilbert古典吉他,云杉面板,CSA 玫瑰木背侧板,加州制造——早期 Gilbert,编号 23,标有“小琴颈型号”。 在上面的视频中,Saro Babikian..
2018 Paco Santiago Marin "30th Anniversary" SP/IN
This guitar, made in 2018 by the great Granada-based builder Paco Santiago Marin (nephew of Antonio ..
1912 Enrique García No. 129 SP/CSAR
这把 1912 年Enrique García古典吉他产于巴塞罗那,琴身采用云杉木和 CSA 玫瑰木,编号 129 – 这把 García 吉他出现在 Orfeo 出版的《34 把真人大小的古典吉他》..
2007 Manuel Reyes SP/CY
The tone of this instrument is sweet, beautiful and lyrical while retaining the bite and energy of f..
2018 Kenny Hill "Heritage" SP/IN
这款 2018 年Kenny Hill “Heritage” 是一款传统的西班牙风格古典吉他,采用实心云杉木面板和印度玫瑰木背侧板,在加利福尼亚州手工制作。 肯尼·希尔和历史大师们 除了现..
2018 Richard Reynoso SP/CY
Richard Reynoso is a guitar maker based out of California, USA. His instruments are fully traditiona..
1967 Manuel Reyes w/pegs SP/CY
This guitar is easy to play and has all the richness necessary for solo performing. The tone of this..
2018 洛伦佐·弗里尼亚尼“1910 曼努埃尔·拉米雷斯”SP/CSAR
2018 年Lorenzo Frignani制作的“1910 Manuel Ramírez”复制品,采用云杉木面板和 CSA 玫瑰木背侧板——编号 229,仿照 Lorenzo 自己收藏的 1910 ..
2011 Lester DeVoe SP/IN
这把2011年的 Lester DeVoe 是一把云杉面板、印度玫瑰木背侧板的弗拉门戈 negra(黑琴),配有他较为少见的 Santos 风格音孔花饰和人字纹镶边。Santos 音孔花饰与人字纹镶边..
2018 Masaki Sakurai “Concert-R” SP/IN
这把 2018 年Masaki Sakurai “Concert-R” 是一把古典吉他,面板为云杉木,背侧板为印度玫瑰木,产于日本东京。模型樱井从叔叔河野胜那里学习了制琴技艺,虽然其影响显而易见,但他..
2018 Jean-Noel Rohe SP/CSAR
This is an incredibly refined instrument in all ways. The craftsmanship is second to none, not only ..
2018 Sergio Perez "Segovia" CD/GE
Sergio Perez is one of those luthiers who was literally born into it. His father, Teodoro Perez, mad..
2018 Teodoro Pérez “Concierto” No. 1177 CD/PF
这把2018年产的Teodoro Pérez “Concierto”1177号吉他,是一把产自西班牙马德里的雪松木和紫檀木古典吉他——也是我们第一把采用紫檀木背侧板的Concierto吉他。在上面的视..
2018 Marin Nejime "Friederich" SP/IN
Marin Nejime is an up-and-coming, talented young builder based in Japan. His father, also a guitar m..
1968 Masaru Kohno No. 7 SP/IN
这把 1968 年Masaru Kohno No. 7 是一把古典吉他,面板为云杉木,背侧板为印度玫瑰木,产于日本东京,弦长为 656 毫米,没有裂缝或修补痕迹。 1968年的河野这把吉他制作于他在比..
2018 Sakurai-Kohno “Professional-J” SP/CSAR
这把 2018 年产的Sakurai-Kohno “Professional-J” 是一把古典吉他,面板采用云杉木,背侧板采用 CSA 玫瑰木,产于日本东京;Fred Lawton 在上面的视频中演奏..
1988/2016 Jeffrey Elliott SP/CSAR
This guitar was originally built in 1988 as an 8-string. In 2016, Jeff was able to re-visit the guit..
2018 Florian Blöchinger SP/CSAR
These are among the most impressive guitars we have seen from a maker this early in their career. It..
1968 Manuel Contreras SP/CY
This is a fantastic older peghead flamenco guitar built by Manuel Contreras. Although more known for..
2018 Bernardo Romero SP/IN
2018 年圣地亚哥制琴师Bernardo Romero制作的古典吉他,云杉面板,印度玫瑰木背侧板——二手,状况极佳,仅有轻微的漆面磨损。 专注且敏捷 泛音丰富而又控制得当,因此每个音符的..