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1990年杰弗里·埃利奥特 SP/AB

这把 1990 年的Jeffrey Elliott古典吉他由美国制琴师 Jeffrey Elliott 在俄勒冈州波特兰市制作,琴身采用云杉木和非洲黑檀木,这位制琴师也曾为Julian Bream制作..

2008 年西蒙·安布里奇“1887 托雷斯 SE 111”SP/MP

$10,500.00 - 等候接听

这把 2008 年Simon Ambridge 制作的“1887 Torres SE 111”是一把产自英国德文郡的云杉和鸟眼枫木古典吉他,仿照了 1887 年Antonio de Torres 的S..

2011年 Gregory Byers “630 Lattice” SP/MP

$10,000.00

这把 2011 年Gregory Byers “630 Lattice” 是一把短弦长(630 毫米)云杉和枫木古典吉他,产于加利福尼亚州威利茨——这是 Greg 的作品中罕见的弦长、音梁和木材组合。..

2026 米格尔·安赫尔·古铁雷斯 SP/IN

$10,000.00

这把 2026 年的Miguel Angel Gutiérrez是一把云杉木和印度玫瑰木古典吉他,由 2022 年格拉纳达 Antonio Marín Montero 比赛二等奖获得者在意大利热那亚制..

2026 Wolfgang Jellinghaus "Friederich - aged" CD/IN

$3,500.00

这款 2026 年Wolfgang Jellinghaus “Friederich – aged” 是 Wolfgang 的 Daniel Friederich 型号的仿古饰面版本:一把雪松木和印度玫..

2026 Wolfgang Jellinghaus “Torres SE 43 640” SP/MP

$3,500.00

这款 2026 年Wolfgang Jellinghaus “Torres SE 43 640” 是一款云杉和火焰枫木古典吉他,弦长 640 毫米,仿照Antonio de Torres于 1883 ..

2026 Wolfgang Jellinghaus "Espanola 1a" CD/AR

$4,000.00

这款 2026 年Wolfgang Jellinghaus “Espanola 1a” 是一款雪松木和非洲玫瑰木古典吉他,仿照José Ramírez III的吉他制作,在中国制造,并在美国由 GSI..

2026 Wolfgang Jellinghaus "Torres SE 77" SP/GR

$2,500.00

这款 2026 年Wolfgang Jellinghaus “Torres SE 77” 是一款云杉和格拉纳迪罗木古典吉他,琴弦长度为 610 毫米,仿照 1884 年Antonio de Torre..

2026 Wolfgang Jellinghaus "Alemana EF CD/SP" CD/AR

$4,500.00

这款 2026 年Wolfgang Jellinghaus “Alemana EF CD/SP” 采用雪松/云杉格子双面板,搭配非洲玫瑰木背侧板——这是一款在中国制造的音乐会古典吉他,仅在美国由 GS..

2026 Wolfgang Jellinghaus "Torres SE 77" SP/PF

$2,500.00

这款 2026 年Wolfgang Jellinghaus “Torres SE 77” 是一款短弦长 (610 毫米) 古典吉他,采用云杉木面板和铁木背侧板,以 1884 年Antonio de T..

2020 加布里埃尔·洛迪“托雷斯”SP/CSAR

$20,000.00

这把 2020 年Gabriele Lodi “Torres” 是一把来自意大利的云杉和 CSA 玫瑰木古典吉他——一把受 Torres 启发的音乐会乐器,具有古典的色彩和现代的力量,几乎是全新的。 ..

2026 Nicolas Lamoureux SP/IN

$7,000.00 - 卖

这把 2026 年尼古拉斯·拉穆雷 (Nicolas Lamoureux)是一把云杉和印度玫瑰木音乐会古典吉他,由法国科雷兹地区手工制作,并且是2026 年在格拉纳达举行的安东尼奥·马林·蒙特罗国际吉..

2026 Eduardo Bossa “10周年纪念” SP/CC

$7,500.00

这款 2026 年Eduardo Bossa 10 周年纪念款吉他是一款在哥伦比亚卡塔赫纳手工制作的云杉木和科米诺木古典吉他,拥有强劲、如钢琴般的音乐会音色。 Eduardo Bossa 十周年..

2024 福田博典 SP/AR

$8,000.00 - 等候接听

这把 2024 年的Hironori Fukuda是一把产自日本大阪的云杉和非洲玫瑰木古典吉他,也是在2024 年格拉纳达举行的 Antonio Marín Montero 国际吉他制作大赛中获得一等..

2025 Erez Perelman CD/CSAR

$14,000.00

这把 2025 年产的Erez Perelman古典吉他,采用雪松木和 CSA 玫瑰木制成,产自加拿大温哥华岛——这是一款超轻便的传统乐器,音色浑厚温暖,木质感十足,状态极佳。 一把雪松木和CS..

2021 Pepe Romero “640” SP/CY

$12,000.00

这把 2021 年Pepe Romero Jr. “640” 是一款短弦长的云杉和柏木古典吉他,按照科尔多瓦的Miguel Rodríguez的传统制造,具有巨大的音量和轻松的手感。 罗梅罗家族..

阿斯图里亚斯“定制 S-640” SP/IN

$3,500.00

Asturias “Custom S-640”是一款产自日本久留米的手工日本古典吉他,采用实心云杉木面板、印度玫瑰木背侧板和较短的640毫米弦长。 中等价位的最佳日本古典音乐 如果您想要一..

阿斯图里亚斯“定制 C-630”CD/IN

$3,500.00 - 卖

Asturias “Custom C-630”是一款产自日本久留米的手工日本古典吉他,采用实心雪松面板、印度玫瑰木背侧板和较短的630毫米弦长。 中等价位的最佳日本古典音乐 如果您想要一把..

阿斯图里亚斯“定制 S” SP/IN

$3,500.00 - 卖

Asturias “Custom S”是一款产自日本久留米的手工日本古典吉他,采用实心云杉木面板和印度玫瑰木背侧板。 中等价位的最佳日本古典音乐 如果您想要一把价格适中、外形时尚的豪瑟风格..

阿斯图里亚斯“定制 S-630” SP/IN

$3,500.00 - 等候接听

Asturias “Custom S-630”是一款产自日本久留米的手工日本古典吉他,采用实心云杉木面板、印度玫瑰木背侧板和较短的630毫米有效弦长。 中等价位的最佳日本古典音乐 如果您想..

阿斯图里亚斯“定制 C-640mm”CD/IN

$3,500.00

Asturias “Custom C-640”是一款产自日本久留米的手工日本古典吉他,采用实心雪松面板、印度玫瑰木背侧板和较短的640毫米弦长。 中等价位的最佳日本古典音乐 如果您想要一把..

阿斯图里亚斯“定制 C”CD/IN

$3,500.00

Asturias “Custom C”是一款产自日本久留米的手工日本古典吉他,采用实心雪松面板和印度玫瑰木背侧板。 中等价位的最佳日本古典音乐 如果您想要一把价格适中、外形时尚的豪瑟风格吉..

1951年埃德加·蒙克 SP/IN

$10,000.00

这把 1951 年产的Edgar Mönch古典吉他,由云杉木和印度玫瑰木制成,产于德国慕尼黑:这是一款轻巧的、类似 Hauser 的复古乐器,在一个家族中传承了 75 年。 1951年慕尼黑埃..

2009 杰里米·库珀“CD/SP”CD/CSAR

$7,500.00

这把乐器由美国制琴师杰里米·库珀 (Jeremy Cooper) 于 2009 年制作,采用 Nomex 芯材音板,这种制作方法的灵感源自马蒂亚斯·达曼 (Matthias Dammann) 和格诺特..

2026 费德里科·蒋《咏叹调》SP/MP

$6,500.00 - 卖

这把 2026 年Federico Jiang “Arias” 是一把云杉和鸟眼枫木古典吉他,其灵感来自 19 世纪西班牙制琴师Vicente Arias ,并且这把吉他曾在2026 年 Antoni..

2025 Darío García "La Leona" SP/CY

$6,500.00

这把吉他是由西班牙制琴师Darío García制作的,他凭借雪松古典吉他在 2024 年 7 月/8 月于西班牙格拉纳达举行的第七届 Antonio Marin Montero 吉他制作大赛中获得三..

1997 Brian Cohen "8-Course Renaissance Lute" SP/MP

$4,000.00

布莱恩·科恩虽然出生于南非,但五十多年来,他已成为英国最杰出的当代制琴师之一。他的乐器以其优美的音色和易于演奏的特性而闻名。布莱恩还因与朱利安·布里姆的长期合作而为人所知——他不仅为布里姆的古董乐器(..

2026 La Cañada "Model 115" SP/CY

$3,750.00

这款 2026 年La Cañada “Model 115” 是一款云杉和柏木古典吉他,以 1888 年Antonio de Torres SE 115 为原型,Emilio Pujol 曾演奏过这款..

2026 La Cañada "Model 115A" SP/CY

$3,750.00 - 等候接听

这款 2026 年款La Cañada “Model 115A” 是 La Cañada Torres SE 115 型号的仿古饰面版本:这是一款由 Edmund Blöchinger 设计、中国制造..

2026 La Cañada "Model 115" SP/GR

$3,750.00

这款 2026 年La Cañada “Model 115” 古典吉他采用云杉木面板和格拉纳迪罗木背侧板,以 1888 年由 Edmund Blöchinger 设计、中国制造的Antonio de ..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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