1969 Manuel Reyes SP/CSAR

년도	1969
탑	Spruce
뒷면 및 측면	CSA Rosewood
스케일 길이	656 mm
너트 폭	51 mm
마감	French Polish
국가	Spain
Luthier	Manuel Reyes

This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.

Fonseca's "Teatro Opiniao" (Choro) - Olivia Chiang plays a 1969 Manuel Reyes

Agustin Barrios Mangore: "Choro da Saudade" played by Dominic Flynn, guitar & Max Kraus, bass

설명

The classical guitars of Manuel Reyes almost never appear on the market - so this is a very rare treat to have this magnificent instrument here in our showroom. It has a wonderful, dark sound with bold basses and strong trebles. Alternatively, with lowered action and tap plate added, this would make an exceptional flamenco negra. Along with an elite handful of other builders from this time (including Miguel Rodriguez and Arcangel Fernandez) these guitars are prime examples of the mid-century Spanish style at its apex. And this is a stellar example both for sound and condition. To date, this instrument has had only two prior owners, the first commissioned it along with a flamenco blanca, taking delivery of them both at the same in 1969. Like the blanca, this is in like-new, virtually untouched condition. Absolutely a miracle that an instrument of this vintage is in such incredible shape for its age, likely due to it's having had only two very caring owners to date. This is for the most discriminating player or collector seeking a great sounding Reyes in such amazing shape. This guitar is a true masterpiece, a truly remarkable and rare instrument.

배경

Although Manuel Reyes of Cordoba (1934-2014) is considered to be the greatest and most sought-after Andalucian flamenco builder of the latter half of the 20th century (and beginning of the 21st) he was also an extraordinary maker of fine classical instruments as well although he received fewer commissions due to the overwhelming demand for his flamencos. For more than half a century he was known for his superb workmanship and authentic Andalusian flamenco sound - he always constructed his guitars in the heart of the old quarter of Cordoba, in the deep south of Spain. His guitars have been played by dozens of professionals internationally, perhaps most notably being Vicente Amigo and Paco Serrano. At the time of his passing, his waitlist for new instruments had been closed for years due to its enormous size.