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2026 Teodoro Perez "Antigua" CD/AR

$11,000.00

“Antigua”是Perez琴行最新推出的型号,我们非常高兴能将其纳入我们的库存。与“Concierto”一样,它采用全法式抛光工艺,并拥有单侧板(与Maestro和Especial的双侧板不同)。..

2026 Teodoro Perez "Concierto" CD/IN

$9,500.00

“Concierto”是Perez系列中首款采用全法式抛光工艺的型号,展现了该品牌所有吉他一贯的精湛工艺和对细节的极致追求。Concierto拥有独树一帜的音色,同时又深深植根于强劲的马德里风格。浑厚..

2026 Teodoro Perez "Estudio C-650" CD/IN

$4,000.00 - 卖

“Estudio”型号按照Perez的规格设计和制造,对于预算有限的入门级音乐会演奏者来说,是一款绝佳的选择。其音色具有鲜明的西班牙风格,音色饱满浪漫,音色起音迅速。音色方面,它仍然保留了马德里风格的..

2020 Teodoro Perez "Especial Aniversario" SP/CO

$12,000.00

“Especial” 是 Perez 商店的顶级型号,在装饰和材料方面绝对是最好的。声音非常具有西班牙特色,音色饱满、浪漫,音调快速。清晰度极佳,音量足以适应任何环境,包括合奏,同时保持卓越的音质。2..

2024 Teodoro Perez "Especial" SP/MP

$11,000.00

“Especial”是佩雷斯琴行的顶级型号,在装饰和用料方面都堪称完美。它的音色极具西班牙特色,饱满浪漫,起音迅速。清晰度极佳,音量充足,足以应对各种场合,包括合奏,同时保持卓越的音质。这款吉他选用的..

2026 Teodoro Perez "Especial - Bois de Rose" CD/AR

$13,000.00

“Especial”是佩雷斯琴行的顶级型号,在装饰和用料方面都堪称完美。它的音色极具西班牙特色,饱满浪漫,起音迅速。清晰度极佳,音量充足,足以应对各种场合,包括合奏,同时保持卓越的音质。这款吉他选用的..

2026 Teodoro Perez "Estudio C-650" SP/IN

$4,000.00

“Estudio”型号按照Perez的规格设计和制造,对于预算有限的入门级音乐会演奏者来说,是一款绝佳的选择。其音色具有鲜明的西班牙风格,音色饱满浪漫,音色起音迅速。从音色上看,它仍然保留了马德里风格..

2025 Teodoro Perez "Especial" SP/ME

$12,000.00

“Especial”是Perez工作室的顶级型号,在装饰和用料方面堪称一流。其音色极具西班牙特色,饱满浪漫,音色强劲有力。温暖、清晰、音量适中,适合各种演奏场合,同时又保留了卓越的演奏性。这把吉他的用..

2025 Teodoro Perez "Maestro" SP/AR

$10,500.00

“Maestro”型号位于Perez系列的中端,采用优质材料打造,包括用于背板和侧板的非洲玫瑰木。这把吉他音色集中饱满,同时又不失动态和表现力——这正是优质云杉面板的典型特征。如同我们见过的每一把Pe..

2015 Teodoro Perez "Especial Maple" CD/CSAR

$10,000.00

“Especial” 是 Perez 商店的顶级型号,在装饰和材料方面绝对是最好的。声音非常具有西班牙特色,音色饱满、浪漫,音调快速。清晰度极佳,音量足以应付任何环境,包括合奏,同时保持出色的音质。此..

2024 Teodoro Perez "Antigua" SP/AR

$8,000.00 $9,000.00

“Antigua” 是 Perez 商店的最新型号,我们很高兴能有一款入库。与“Concierto”一样,这款吉他采用全法式抛光,单面设计(不同于双面设计的 Maestro 和 Especial)。但..

2010 Teodoro Perez "Especial" SP/CSAR

$9,000.00 $10,000.00

特奥多罗·佩雷斯 1952 年出生于西班牙索里亚省,但很小的时候就搬到了马德里。1966 年,他开始在著名的何塞·拉米雷斯三世工作室当学徒,在那里制作吉他、鲁特琴、班杜里亚琴和曼陀林。在这些年里,他有..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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