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2026 Wolfgang Jellinghaus "Alemana EF SP/CD" SP/AR

$4.500,00

这是沃尔夫冈·耶林豪斯(Wolfgang Jellinghaus)的“Alemana EF”型号,它与他著名的“Signature”型号相似,但做了一些改动,包括标准的高位指板、单侧板以及非洲玫瑰木背..

2026 Wolfgang Jellinghaus "Alemana 1a CD/CD" CD/AR

$4.000,00

这是沃尔夫冈·耶林豪斯(Wolfgang Jellinghaus)的“Alemana 1a”型号,与其著名的“签名款”型号相似,但有一些改进,包括标准指板(非凸起)、单侧板以及背板和侧板采用非洲玫瑰木..

2026 Wolfgang Jellinghaus “La Leona FE 04 630" SP/CY

$3.500,00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸和时代的 Torres 原版乐器打造了一系列高品质但价格实惠的型号。这把特殊的吉他是根据 ..

2026 Wolfgang Jellinghaus "La Romantica 1a" SP/MP

$3.000,00

Wolfgang Jellinghaus 专门设计了这款模型,以纪念 René François Lacôte (1785-1868) 的工作,他是 Antonio de Torres 之前吉他制作史..

2026 Wolfgang Jellinghaus “Torres FE 13” SP/IN

$3.000,00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的深入研究,促使他基于不同尺寸和年代的 Torres 原版乐器,打造了一系列高品质且价格实惠的型号。这把特别的吉他..

2026 Wolfgang Jellinghaus "Torres SE 77" SP/CY

$2.500,00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸的 Torres 原版乐器(琴体比例和琴弦长度)打造了一系列高品质但价格实惠的型号。这把特..

2026 Wolfgang Jellinghaus "Signature CD/CD" CD/ZR

$5.000,00

这是 Wolfgang Jellinghaus 的“Signature”型号,它具有多种现代特征,尽管其中一些特征植根于过去的深厚传统。例如,采用浮动指板 - 指板根本不连接到音板,释放了顶部这个经常..

2026 Wolfgang Jellinghaus “Torres SE 43” SP/MP

$3.500,00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸和时代的 Torres 原版乐器制作了一系列高品质但价格实惠的型号。这把特殊的吉他是根据 ..

2026 Wolfgang Jellinghaus “La Leona FE 04 645" SP/CY

$3.500,00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸和时代的 Torres 原版乐器打造了一系列高品质但价格实惠的型号。这把特殊的吉他以 To..

2026 Wolfgang Jellinghaus "Alemana EF CD/CD" CD/AR

$4.500,00

这是沃尔夫冈·耶林豪斯(Wolfgang Jellinghaus)的“Alemana EF”型号,它与他著名的“Signature”型号相似,但做了一些改动,包括标准的高位指板、单侧板以及非洲玫瑰木背..

2025 Wolfgang Jellinghaus "Signature CD/SP" CD/GR

$5.000,00

这是沃尔夫冈·耶林豪斯(Wolfgang Jellinghaus)的“签名款”吉他,它融合了多种现代元素,同时又根植于深厚的传统工艺。例如,它的指板采用悬浮式设计——指板与面板完全分离,使面板上这部分..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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