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2026 Luigi Locatto SP/CSAR

Inquire - 等候接听

这把令人叹为观止、做工精湛的吉他出自洛卡托之手。其结构上，许多元素都借鉴了辛普利西奥的作品，尤其是在面板处理方面，他巧妙地平衡了第一弦、第二弦和第三弦的音量。琴身也略长于辛普利西奥的大型吉他，在F#附..

2026 Andy Culpepper "15th Anniversary" SP/CSAR

$8,500.00 - 等候接听

这把吉他根植于传统的西班牙设计，其音色经过精心打造，旨在满足现代音乐会吉他手的需求。它拥有充沛的音量、清晰度、开阔度和分离度，足以响彻整个音乐厅，同时又拥有令人爱不释手的优美音色。它的音量洪亮而穿透力..

1969 Daniel Friederich SP/CSAR

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丹尼尔·弗里德里希以其无与伦比的审美以及优美而庄严的音色而闻名。世界上许多顶尖演奏家都演奏过或正在演奏弗里德里希的作品，其中包括罗梅罗兄弟、曼努埃尔·巴鲁埃科、朱利安·布里姆、斯科特·坦南特、罗伯托·..

2020 Kenneth Brogger "Stradivarius" SP/CSAR

$8,500.00 - 等候接听

多年来，肯尼斯曾多次参观意大利北部克雷莫纳（这座城市与著名小提琴制作人安东尼奥·斯特拉迪瓦里联系最为紧密）的年度乐器博览会。2011年的博览会上，一组装饰华丽的斯特拉迪瓦里原版小提琴吸引了肯尼斯的注意..

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常见问题解答

How to choose a classical guitar?

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

What defines a classical guitar?

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

What should I look for when buying a classical guitar?

We should look for:

Establish a budget
Identify what type of sound you like the most. You can also ask our experts for advice.
Decide whether you want a used or new instrument.
Check for ‘wolf’ notes and buzzes. Playability is also very important.
We recommend testing the sound from the perspective of a player and a listener.

What are the differences between classical and flamenco guitars?

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.