2007 Edmund Blöchinger SP/MP

这款独特的吉他采用半人字纹镶嵌工艺，贯穿所有镶边，包括音孔内外圈的镶边。它还采用了源自小提琴制作的法式抛光工艺，赋予其更深邃、更偏琥珀色/蜂蜜色的色泽。这把吉他最初是由一位1936年Fleta吉他的拥有者委托制作的，他希望将Fleta的装饰元素融入到Blochinger吉他中。最终，共制作了6把这样的吉他——3把采用Blochinger的标准琴体形状和风格，另外3把则是他的“Llobet”型号。因此，尽管从结构上看，它完全是Blochinger的风格，但其外观灵感却源自Fleta。这其中颇为耐人寻味，因为Fleta在结构上（而非美学上）是Tarrega于1864年制作的第一把Torres吉他（也称为FE17）的复制品。因此，该系列中的 3 把吉他都是其他吉他的衍生品，从 19 世纪的 Torres 吉他开始，到 20 世纪的 Fleta 吉他，再到 21 世纪的 Blochinger 吉他结束。

奥菲欧关于豪瑟三世、布洛辛格和奥伯的文章

Firmly established as one of the top living builders, Edmund Blochinger is now in great demand world-wide. He originally began building his guitars in the style of Hauser and Torres and in recent years has been influenced by Miguel Rodriguez guitars from the early 60s. Pepe and Celin Romero have been great champions of these instruments and they both play on Blochinger guitars as one of their main concert instruments. Recently, Celino Romero has also been touring and recording on a cedar Blochinger as well. In Pepe's words, Blochinger is "one of the greatest" luthiers in the world today. They record wonderfully, and on stage, they have great projection and an outstanding quality of tone, audible all the way at the back of any large hall.