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1988 Jose Ramirez "1a" SP/CSAR

$9,500.00 - 等候接听

Ramirez 1a型号可能是历史上演奏次数最多、知名度最高的西班牙产吉他之一,无论以何种标准衡量,它都是一款真正出色的演奏乐器,继续让演奏者感到满意。这把吉他具有通常与伟大的 Ramirez 相关的..

1993 Abel Garcia (supervised by José Romanillos) "1912 Manuel Ramirez ex Segovia" SP/IN

$5,000.00

我们确实很少见到这样的乐器,这绝对是难得一见的珍品!它由墨西哥顶尖制琴师之一——阿贝尔·加西亚(Abel Garcia)在西班牙科尔多瓦制作,并由已故的伟大制琴师何塞·路易斯·罗曼尼洛斯(José L..

1962 Jose Ramirez "1a AM" SP/CSAR

$12,000.00

这把吉他出自著名的何塞·拉米雷斯三世作坊。半个多世纪以来,无数专业人士曾使用过该作坊制作的吉他,从斯汀到塞戈维亚,从切特·阿特金斯到萨比卡斯,从李·里特诺到克里斯托弗·帕肯宁,不一而足。吉他内部镌刻着..

1969 Jose Ramirez "1a MT" CD/CSAR

$16,000.00

这把吉他是在著名的Jose Ramirez III工作室制作的,半个多世纪以来,无数专业人士都曾使用过这里制作的吉他,从 Sting 到 Segovia,从 Chet Atkins 到 Sabicas..

2013 Jose Ramirez "1a Antigua" SP/IN

$12,000.00

这把吉他是在著名的Jose Ramirez工作室制作的,半个多世纪以来,该工作室制作的吉他被无数专业人士演奏,从 Sting 到 Segovia,从 Chet Atkins 到 Sabicas,从 L..

2016 Jose Ramirez "1a C650-AP" SP/CSAR

$10,000.00

这把吉他是在著名的Jose Ramirez工作室制作的,半个多世纪以来,该工作室制作的吉他被无数专业人士演奏,从 Sting 到 Segovia,从 Chet Atkins 到 Sabicas,从 L..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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