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2025 Jose Vigil CD/CSAR

$13,000.00 - 卖

Jose Vigil出生于一个音乐世家,自青少年时期便开始弹吉他。他对木工的热爱,加上音乐背景,自然而然地引领他走向吉他制作之路。他定居格拉纳达,并受到了吉他制作界的热烈欢迎。在那里,他接受了专业的培..

2025 Ivan Bruna SP/IN

$12,000.00 - 卖

这是这位经验丰富的制琴师为我们打造的第二把吉他,我们非常满意,因为它展现了Ivan Bruna吉他技艺的巅峰。这把吉他的制作风格秉承了传统的核心——20多年前,我曾师从Enrico Bottelli,..

2025 Bertrand Ligier SP/AR

$18,000.00 - 卖

这把古典吉他是由才华横溢的制琴师Bertrand Ligier制作的,他在法国南部的朗格多克地区制作吉他。与我们收到的每一把新吉他一样,这把吉他也采用了他最新的琴身设计,这是基于多年不断研究的积累。在..

2025 Paula Lazzarini "Limited Edition - REG 2025" SP/AR

$9,500.00 - 卖

Paula Lazzarini 原籍阿根廷,多年来一直在意大利克雷莫纳的工作室工作。几年前,她搬到了现在的所在地都灵。最近,她完成了在皮埃蒙特大区柳特里亚学院(Accademia di Liuteri..

2025 Miguel Angel Gutierrez "Limited Edition - REG 2025" CD/PD

$9,500.00 - 卖

这把吉他的音板由西部红雪松制成,背板和侧板则由色彩丰富的紫檀木制成,是西班牙制琴师米格尔·安赫尔·古铁雷斯(Miguel Angel Gutierrez)精心打造的又一把古典吉他。他目前生活和工作在意..

2025 Michel Belair "Double Top" CD/IN

$16,000.00 - 卖

这把吉他由来自蒙特利尔的加拿大制琴师Michel Belair制作。这是我们首次见到他以独特的个人风格演绎的双面板设计,他在过去五六年间不断改进。这把吉他的音板由两块薄雪松木制成,中间夹有Nomex细..

2025 Erez Perelman CD/CSAR

$14,000.00 - 卖

Erez Perelman出生于以色列,在艺术家的包围下长大,在加利福尼亚州圣地亚哥跟随 Celin Romero 学习吉他演奏后,他发现自己对吉他制作充满热情。这些年,Erez 经常访问 GSI,查..

2025 Dominique Field SP/CSAR

Inquire - 卖

我们认为,这件乐器再次证实了 Field 作为当今世界顶级制作者之一的地位。这件古典吉他制作精良,细节程度只有少数顶级制作者才能达到。他的法式抛光几乎像镜子一样,他的乐器的细节和木工工艺非常干净,令人..

2025 Kris Barnett CD/EB

$10,000.00 - 卖

该乐器采用了 Kris 最近开发的新型格子系统,该系统基于斐波那契数列的黄金比例。支架之间的长度和间距以及背板和音板的频率都与该序列相关。结果是产生了巨大的力量,而没有许多格子吉他通常产生的轰鸣声(低..

2025 Carlos Juan Busquiel CD/AR

$8,500.00 - 卖

另一把由卡洛斯·胡安·布斯基尔制作的精美古典吉他,其音板由雪松制成,背板和侧板由一组花纹精美的非洲玫瑰木制成。它还采用了他最新的玫瑰花结设计,很大程度上受到了恩里克·加西亚作品的影响。声音和结构一样坚..

2025 Evan Kingma "Blossom" SP/ZR

$7,500.00 - 卖

这是我们的第一把吉他,出自目前最抢手的新锐制琴师之一。加拿大制琴师 Evan Kingma 目前已经等了 5 年多,他前往西班牙格拉纳达,在制琴师 Stephen Hill 的指导下学习他的手艺。在现..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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