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2025 Manuel Arango SP/IN

$8,500.00 - 卖

我们第一次见到瑞士吉他制作家曼努埃尔·阿兰戈是在2025年西班牙格拉纳达举办的第八届安东尼奥·马林·蒙特罗吉他制作大赛上,当时他凭借古典吉他荣获一等奖,弗拉门戈吉他荣获二等奖。我们在此展示的这把吉他正..

2025 Liuteria Frignani "1915 Enrique Garcia" SP/IN

$6,000.00 - 卖

这把吉他是由制琴大师(兼弓弦乐器制作师)洛伦佐·弗里尼亚尼 (Lorenzo Frignani) 和他的儿子尤金尼奥 (Eugenio) 共同打造的全新乐器系列中的三款型号之一。这个名为“Liuter..

2025 Youri Soroka SP/AR

$12,000.00 - 卖

这是尤里的最新型号,采用了多项全新设计,带来全新、清新的音色。尤里过去的作品中,我们见到的吉他都强调了传统的西班牙设计。这把吉他,他借鉴了这些设计(例如,Plantilla 琴桥、音梁等等),但经过他..

2025 Jean-Noël Rohé SP/CSAR

Inquire - 卖

这把吉他在各方面都堪称精致之作。其工艺无与伦比,不仅品味非凡,而且细节之处也堪称完美。音色独具Rohé风格,但也有一些其他元素的影响,例如琴盒散发出的“大教堂般”的立体感,我们认为这很大程度上受到了F..

2025 Marc Dickinson "Cosmic" SP/IN

$6,000.00 - 卖

值得一提的是,Marc 拥有多个理科高级学位,其中包括物理学博士学位。他目前主要对天体物理学感兴趣,并深受天文摄影的启发。事实上,这把吉他的玫瑰花饰设计灵感源自他拍摄的一张名为“梅西耶13”的巨型球状..

2025 Edmund Blöchinger "Llobet" SP/CSAR

Inquire - 卖

这把吉他的灵感源自米格尔·柳贝特(Miguel Llobet)演奏并珍藏的1859年款托雷斯(Torres)吉他,现藏于西班牙巴塞罗那音乐博物馆。布洛辛格并非照搬托雷斯,而是将这把历史吉他的元素无缝融..

2025 Jose Vigil CD/CSAR

$13,000.00 - 卖

Jose Vigil出生于一个音乐世家,自青少年时期便开始弹吉他。他对木工的热爱,加上音乐背景,自然而然地引领他走向吉他制作之路。他定居格拉纳达,并受到了吉他制作界的热烈欢迎。在那里,他接受了专业的培..

2025 Ivan Bruna SP/IN

$12,000.00 - 卖

这是这位经验丰富的制琴师为我们打造的第二把吉他,我们非常满意,因为它展现了Ivan Bruna吉他技艺的巅峰。这把吉他的制作风格秉承了传统的核心——20多年前,我曾师从Enrico Bottelli,..

2025 Paula Lazzarini "Limited Edition - REG 2025" SP/AR

$9,500.00 - 卖

Paula Lazzarini 原籍阿根廷,多年来一直在意大利克雷莫纳的工作室工作。几年前,她搬到了现在的所在地都灵。最近,她完成了在皮埃蒙特大区柳特里亚学院(Accademia di Liuteri..

2025 Miguel Angel Gutierrez "Limited Edition - REG 2025" CD/PD

$9,500.00 - 卖

这把吉他的音板由西部红雪松制成,背板和侧板则由色彩丰富的紫檀木制成,是西班牙制琴师米格尔·安赫尔·古铁雷斯(Miguel Angel Gutierrez)精心打造的又一把古典吉他。他目前生活和工作在意..

2025 Michel Belair "Double Top" CD/IN

$16,000.00 - 卖

这把吉他由来自蒙特利尔的加拿大制琴师Michel Belair制作。这是我们首次见到他以独特的个人风格演绎的双面板设计,他在过去五六年间不断改进。这把吉他的音板由两块薄雪松木制成,中间夹有Nomex细..

2025 Erez Perelman CD/CSAR

$14,000.00 - 卖

Erez Perelman出生于以色列,在艺术家的包围下长大,在加利福尼亚州圣地亚哥跟随 Celin Romero 学习吉他演奏后,他发现自己对吉他制作充满热情。这些年,Erez 经常访问 GSI,查..

2025 Dominique Field SP/CSAR

Inquire - 卖

我们认为,这件乐器再次证实了 Field 作为当今世界顶级制作者之一的地位。这件古典吉他制作精良,细节程度只有少数顶级制作者才能达到。他的法式抛光几乎像镜子一样,他的乐器的细节和木工工艺非常干净,令人..

2025 Carlos Juan Busquiel CD/AR

$8,500.00 - 卖

另一把由卡洛斯·胡安·布斯基尔制作的精美古典吉他,其音板由雪松制成,背板和侧板由一组花纹精美的非洲玫瑰木制成。它还采用了他最新的玫瑰花结设计,很大程度上受到了恩里克·加西亚作品的影响。声音和结构一样坚..

2025 Evan Kingma "Blossom" SP/ZR

$7,500.00 - 卖

这是我们的第一把吉他,出自目前最抢手的新锐制琴师之一。加拿大制琴师 Evan Kingma 目前已经等了 5 年多,他前往西班牙格拉纳达,在制琴师 Stephen Hill 的指导下学习他的手艺。在现..

显示 31 到 45 总计 45 (共 2 页)
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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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