Guitar Salon International
+1 (310) 586.1100 | +1 (877) 771.4321
博物馆
古典吉他
古典吉他
弗拉门戈吉他
弗拉门戈吉他
克利夫兰收藏
克利夫兰收藏
制琴师
制琴师
您的购物车

您的购物车内没有商品!

小计: $0.00
总计: $0.00
编辑购物车
查看
Museum

1992 Jose Ramirez "Centenario" Da Camara CD/CSAR

年份 1992
面板 Cedar
背面和侧面 CSA Rosewood
弦长 664 mm
螺母宽度 54 mm
饰面 Lacquer
国家 Spain
制琴师 Jose Ramirez III

This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.

Inquire
See more from Jose Ramirez III
Description

For over half a century, the name of Jose Ramirez is perhaps the most recognized to classical and flamenco guitar aficionados. Ramirez instruments have been performed on by countless professionals from Sting to Segovia, Chet Atkins to Sabicas and Lee Ritenour to Christopher Parkening.

The "Centenario" model represents the 100 year anniversary of guitar making of the Ramírez family. This guitar is made from the workshop's finest materials which they have collected over many, many years. The tops are the 1st pick of the 1st class soundboards. The same goes for the back and sides. As you can see from the photos, there are a lot of extra detailing on this model including a sculpted heel cap, boxwood inlay in the headstock, tapered ebony on the back of the neck, ending in a "rosewood bouquet" on the back of the headstock, as well as extremely intricate wood inlays in the purling and rosette. Although Ramírez states that this guitar is made in exactly the same fashion as the other 1a models, our experience is that these are the best guitars made by the workshop, bar none. Great power, beauty of sound and wonderfully easy to play.

This example, from 1992 is in excellent condition with only minor playing wear. It is also one of the "da camara" models which features a wooden "shelf" attached to the sides of the interior of the guitar, which extends the entire perimeter of the plantilla. The original idea, as developed by Jose Ramirez III, was as a technique to clean the guitar up of any "wolf" tones. Indeed Ramirez was satisfied that the da camara assisted in this effort but also claimed that it enhanced the power and clarity of the instrument. Many players have debated the effects of this element but in the end, everyone agrees that these are great instruments! And we would say this is true of this very fine "Centenario".

For more information on Ramirez, be sure to read The Ramirez Family: Masters of the Guitar, or for information on the Ramirez family members, from Amalia Ramirez back to Jose I and for some interesting fact-checking on myths and facts about this legendary workshop.

Guitars by Jose Ramirez III