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2026 Wolfgang Jellinghaus "La Romantica 1a" SP/MP

$3,000.00 - 等候接听

Wolfgang Jellinghaus 专门设计了这款模型,以纪念 René François Lacôte (1785-1868) 的工作,他是 Antonio de Torres 之前吉他制作史..

2026 Marco Bortolozzo "Gold Record - REG Limited Edition" SP/SW

$15,000.00

这是马可·博托洛佐(Marco Bortolozzo)的最新力作,专为2026年罗马吉他展打造。这把吉他凭借其大胆而惊艳的设计理念,一经亮相便吸引了无数目光。它的灵感源于几年前马可来洛杉矶拜访我们。当..

2026 Valerio Licari "Lesna - REG Special Edition" SP/IN

$12,000.00

这把吉他出自瓦莱里奥·利卡里(Valerio Licari)之手,他目前在意大利都灵生活和工作。虽然它的制作工艺完全是“西班牙式”的,但其美学细节却源自瓦莱里奥的意大利血统。这把“特别版”吉他专为20..

2026 Wolfgang Jellinghaus “Torres SE 43” SP/MP

$3,500.00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸和时代的 Torres 原版乐器制作了一系列高品质但价格实惠的型号。这把特殊的吉他是根据 ..

Asturias "Custom S" SP/IN

$3,500.00

对于一款中档价位的时尚豪瑟风格吉他而言,这是市场上最好的日本古典吉他。它们音量大,音质好。弹奏性极佳,琴格工艺堪比最好的音乐会吉他。这款“Custom”型号的镶线和连接块上还有额外的镶嵌工艺,镶嵌着漂..

Asturias "Custom S-640" SP/IN

$3,500.00

对于中等价位的时尚豪瑟风格吉他而言,这些是市场上最好的日本古典吉他。它们音量大,音质好。弹奏性极佳,琴格工艺堪比最好的音乐会吉他。这款“Custom”型号的镶线和连接块上还有额外的镶嵌工艺,镶嵌着漂亮..

2026 Ariel Ameijenda "70th Anniversary" AL/CSAR

$10,000.00

阿里尔一直在思考如何庆祝阿梅延达吉他70周年(他的父亲于1954年开始制作吉他,三年后开设了自己的工作室,而阿里尔本人也从事吉他制作46年了),他决定拿出一些珍藏已久的顶级材料,为这一刻献上。这已经是..

1990 Brian Cohen SP/IN

$10,000.00

虽然布莱恩·科恩(Brian Cohen)出生于南非,但他在英国从事吉他制作已有50余年,并已成为当代最杰出的吉他制作师之一。他的吉他音色优美,手感极佳。尽管其美学设计独具科恩特色(包括我们见过的最独..

1978 Miguel Rodriguez RW/HR

这是这位著名制琴师的一件顶级乐器,在许多人眼中,它完美诠释了二十世纪西班牙南部吉他制作的巅峰之作。它音量巨大,延音出色,起音迅捷(类似弗拉门戈吉他),但最重要的是,它拥有华丽而丰富的音色。虽然琴弦长度..

2017 Antonio Raya Pardo "Especial Torres" SP/CSAR

$7,000.00

这把吉他,型号为“Torres”,云杉面板,搭配精选CSA玫瑰木背侧板(因此标签上标注“Especial”,表明使用了Torres最上乘的材质),无论从优雅的外观还是令人惊艳的音色来看,都堪称一件真正..

1951 Manuel Velazquez SP/CSAR

$15,000.00 - 卖

极其罕见?曼努埃尔·贝拉斯克斯的吉他经常被拿来与豪瑟一世相提并论,但你又有多少机会能找到一把真正出自赫尔曼·豪瑟一世(1882-1952)生前之手的贝拉斯克斯吉他呢?而我们现在就拥有一把!我们上次见到..

2026 Gerardo Centonze "The Blue Guitar - REG Limited Edition 2026" SP/AR

$12,500.00

一个多世纪以来,“蓝色吉他”的概念一直是艺术界反复出现的主题。最著名的起源可以追溯到巴勃罗·毕加索的“蓝色时期”(1901-1904)及其名画《老吉他手》(1903-1904),这幅画启发了华莱士·史..

2016 Sebastian Stenzel "Exclusive Collection #1" CD/WP

$16,000.00

为了庆祝他的工作室于 1996 年成立 20 周年,德国吉他制作师Sebastian Stenzel制作了一把独特的吉他,我们很荣幸在此向您介绍。这把吉他是他的“独家系列”中的第一把,该系列吉他采用非..

2026 Henrik Ballowitz SP/IN

$6,500.00

这把吉他由丹麦制琴师亨里克·巴洛维茨(Henrik Ballowitz)制作,面板选用精选的德国云杉木,背侧板则采用一套来自丹麦一位退休业余制琴师的印度老玫瑰木。这是我们从这位制琴师那里购买的第二把吉..

1988 Jose Ramirez "1a" SP/CSAR

$9,500.00 - 等候接听

Ramirez 1a型号可能是历史上演奏次数最多、知名度最高的西班牙产吉他之一,无论以何种标准衡量,它都是一款真正出色的演奏乐器,继续让演奏者感到满意。这把吉他具有通常与伟大的 Ramirez 相关的..

2009 Casimiro Lozano "1a" SP/AR

$5,000.00

资深制琴师卡西米罗·洛萨诺(Casimiro Lozano)从事吉他制作已有30余年,他最初在维森特·卡里略(Vicente Carrillo)的工作室学习,之后创立了自己的工作室,如今与儿子维克多(..

2020 Teodoro Perez "Especial Aniversario" SP/CO

$12,000.00

“Especial” 是 Perez 商店的顶级型号,在装饰和材料方面绝对是最好的。声音非常具有西班牙特色,音色饱满、浪漫,音调快速。清晰度极佳,音量足以适应任何环境,包括合奏,同时保持卓越的音质。2..

2025 Antonio Zwirn "Aroma" SP/CO

$8,000.00 - 卖

这把吉他由克罗地亚制琴师安东尼奥·兹维恩 (Antonio Zwirn) 制作,面板采用欧洲云杉木,背侧板则选用极具特色的可可波罗木。这正是安东尼奥在2025年7月/8月于西班牙格拉纳达举办的第八届安..

1993 Abel Garcia (supervised by José Romanillos) "1912 Manuel Ramirez ex Segovia" SP/IN

$5,000.00

我们确实很少见到这样的乐器,这绝对是难得一见的珍品!它由墨西哥顶尖制琴师之一——阿贝尔·加西亚(Abel Garcia)在西班牙科尔多瓦制作,并由已故的伟大制琴师何塞·路易斯·罗曼尼洛斯(José L..

2026 Mario Grimaldi "1920 Santos" SP/AR

$15,000.00 - 卖

这把吉他由意大利制琴师马里奥·格里马尔迪(Mario Grimaldi)以他一位挚友收藏的一把1920年桑托斯·埃尔南德斯(Santos Hernandez)吉他为原型打造。他得以仔细评估并测量原琴的..

2026 Alexis Parducci SP/AR

$8,000.00 - 卖

我们在2022年于西班牙格拉纳达举办的第五届“安东尼奥·马林·蒙特罗”国际吉他制作大赛上结识了阿根廷吉他制作师亚历克西斯·帕杜奇,他荣获了该赛事的一等奖。为了制作这把吉他,亚历克西斯精选了他最优质的材..

2018 Jochen Röthel SP/IN

$13,000.00 - 等候接听

这把吉他的做工和细节处理堪称一流,外观也近乎完美。与Jochen的所有吉他一样,它的用料也堪称一流。云杉面板极其坚硬,采用完美的四分之一锯切工艺,而且就其尺寸而言,重量相当轻,与Miguel Rodr..

2026 Eduardo Bossa CD/OV

$7,500.00

这把吉他由哥伦比亚制琴师爱德华多·博萨 (Eduardo Bossa) 制作,面板采用雪松木,背侧板则选用极为珍贵的绗缝奥万科尔木,值得一提的是,指板采用哥伦比亚乌木——一种极为罕见的高级木材。这是我..

2022 Marco Bortolozzo SP/EE

$12,000.00

这是马可·博托洛佐 (Marco Bortolozzo) 的一件惊艳之作,他倾注了大量心血,打造出这件兼具美感与音色的杰作!这件作品的设计与他深厚的工业设计背景紧密相连。在这把吉他上,他探索了“完美圆..

2017 Florian Blöchinger SP/CSAR

$12,000.00

这是我们见过的最令人印象深刻的吉他之一,出自一位吉他制作大师的早期作品。无论从选材、工艺、演奏手感还是音质来看,它的制作水准都极高。精选的木材令人惊艳——完美的四分之一锯切云杉面板,深色的环纹和饰有半..

1981 Jose Romanillos "La España" SP/IN

这把吉他具备所有卓越罗曼尼洛斯吉他的特质——简而言之,它拥有甜美抒情的音色,分离度极佳。音量饱满,却几乎“无噪音”——琴弦和琴钉的噪音都被吸收而非放大,使音符本身得以清晰无阻地展现。总而言之,这是一把..

2026 Hironori Fukuda SP/AR

$8,500.00

我们于2019年在西班牙格拉纳达举办的第三届“安东尼奥·马林·蒙特罗”国际吉他制作大赛上首次结识了日本吉他制作大师福田弘典,当时他荣获第三名。五年后,福田弘典重返格拉纳达,参加了2024年7月/8月举..

2026 Giovanni Tacchi CD/IN

$14,000.00 - 卖

著名制琴大师安德烈·塔奇之子乔瓦尼·塔奇近年来也开始学习制琴技艺。几年前,我们有幸见到了他的第一把吉他,完全由他亲手制作,几乎完全仿照他借来并深入研究过的一把丹尼尔·弗里德里希的杰作。此后,他不断尝试..

2026 Wolfgang Jellinghaus “La Leona FE 04 645" SP/CY

$3,500.00

Wolfgang Jellinghaus 对 Antonio de Torres 作品的探索促使他根据不同尺寸和时代的 Torres 原版乐器打造了一系列高品质但价格实惠的型号。这把特殊的吉他以 To..

2017 Stephan Connor "640" SP/AR

$11,000.00

在过去的二十多年里,史蒂夫·康纳的吉他广受欢迎,许多顶尖演奏家都追求在保持自然传统音色的同时,获得最大的音量,吸引了安吉尔·罗梅罗、艾略特·菲斯克和格里沙·戈里亚切夫等众多音乐家的青睐。这款吉他采用内..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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