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Loriente "Clarita" CD/IN

$2,250.00

Clarita 采用大理石纹樱桃木包边,让人想起 Domingo Esteso 的简约而迷人的吉他。虽然细节不如该系列的其他型号那么精致,但 Clarita 是一款真正的音乐会吉他,具有极佳的温暖感、..

Loriente "Clarita" SP/IN

$2,250.00

Clarita 采用大理石纹樱桃木包边,让人想起 Domingo Esteso 的简约而迷人的吉他。虽然细节不如该系列的其他型号那么精致,但 Clarita 是一款真正的音乐会吉他,具有极佳的温暖感、..

2007 Gregory Byers "7-string" SP/AR (ex John Dearman)

$14,000.00

格雷格·拜尔斯是美国最负盛名的制琴师之一,拥有超过40年的制琴经验。许多著名演奏家都曾使用拜尔斯制作的古典吉他进行演奏和录音,其中最著名的当属大卫·罗素,他用拜尔斯的吉他演奏了托罗巴的音乐专辑。这把七..

2008 Thomas Fredholm CD/IN (ex John Dearman)

$7,500.00

瑞典吉他制作家托马斯·弗雷德霍尔姆(Thomas Fredholm)从事乐器制作数十年,一切都源于他对马丁钢弦吉他的痴迷。多年来,他的古典吉他曾被众多著名艺术家演奏,包括大卫·罗素(David Rus..

2003 Sakurai-Kohno "Maestro" SP/CSAR (ex John Dearman)

$10,000.00

这款吉他由日本最负盛名的制琴师河野胜(Masaru Kohno)设计,是一把一流的演奏级吉他。1998年河野胜去世后,由他的侄子樱井正树(Masaki Sakurai)继续制作。多年来,它一直是该工坊..

2025 Manuel Arango SP/IN

$8,500.00 - 卖

我们第一次见到瑞士吉他制作家曼努埃尔·阿兰戈是在2025年西班牙格拉纳达举办的第八届安东尼奥·马林·蒙特罗吉他制作大赛上,当时他凭借古典吉他荣获一等奖,弗拉门戈吉他荣获二等奖。我们在此展示的这把吉他正..

2025 Vicente Carrillo "Primera Especial" SP/MB

$6,000.00

这是 Vicente Carrillo 工作室出品的“Primera Especial”型号——一款各方面都堪称真正的音乐会乐器。它采用了他最优质的材料,包括一套令人惊叹的马来西亚黑木背板和侧板。这把..

1986 Hermann Hauser III SP/CSAR

赫尔曼·豪瑟三世孜孜不倦地打造吉他,力求完美呈现“日耳曼式”吉他的音色和美学。这种风格最初由他的祖父赫尔曼·豪瑟一世创立,并由他的父亲赫尔曼·豪瑟二世传承至今。尽管自诞生以来,“日耳曼式”吉他一直是最..

2025 Liuteria Frignani "1915 Enrique Garcia" SP/IN

$6,000.00

这把吉他是由制琴大师(兼弓弦乐器制作师)洛伦佐·弗里尼亚尼 (Lorenzo Frignani) 和他的儿子尤金尼奥 (Eugenio) 共同打造的全新乐器系列中的三款型号之一。这个名为“Liuter..

1962 Jose Ramirez "1a AM" SP/CSAR

$12,000.00

这把吉他出自著名的何塞·拉米雷斯三世作坊。半个多世纪以来,无数专业人士曾使用过该作坊制作的吉他,从斯汀到塞戈维亚,从切特·阿特金斯到萨比卡斯,从李·里特诺到克里斯托弗·帕肯宁,不一而足。吉他内部镌刻着..

2025 Youri Soroka SP/AR

$12,000.00 - 卖

这是尤里的最新型号,采用了多项全新设计,带来全新、清新的音色。尤里过去的作品中,我们见到的吉他都强调了传统的西班牙设计。这把吉他,他借鉴了这些设计(例如,Plantilla 琴桥、音梁等等),但经过他..

2025 Gerardo Centonze "Concerto Deluxe" CD/AR

$11,000.00

这把吉他由意大利制琴师 Gerardo Centonze 打造,是他的“Concerto Deluxe”型号,采用他最珍贵的材质,并展现了他精准细致的镶嵌工艺。琴面板采用一组精美的四分锯西部红雪松木(..

2025 Jean-Noël Rohé SP/CSAR

Inquire - 卖

这把吉他在各方面都堪称精致之作。其工艺无与伦比,不仅品味非凡,而且细节之处也堪称完美。音色独具Rohé风格,但也有一些其他元素的影响,例如琴盒散发出的“大教堂般”的立体感,我们认为这很大程度上受到了F..

1969 Jose Ramirez "1a MT" CD/CSAR

$16,000.00

这把吉他是在著名的Jose Ramirez III工作室制作的,半个多世纪以来,无数专业人士都曾使用过这里制作的吉他,从 Sting 到 Segovia,从 Chet Atkins 到 Sabicas..

2025 La Cañada "Model 17A" SP/CY

$3,750.00

“17A型”(“A”代表“仿古”外观)主要基于1864年的托雷斯琴,被称为“FE 17” ——这是塔雷加职业生涯中演奏的三把托雷斯琴中最早的一把——这把迷人的第一时代风格的吉他,琴身略显紧凑,弦长也更..

2006 Pepe Romero SP/CY

$8,000.00

由同名伟大吉他手的儿子制作。它音量巨大,反应极快——虽然音色“古典”,但其响应和演奏性却很像西班牙南部的弗拉门戈吉他。这把琴做工轻巧,令人联想起在西班牙科尔多瓦的Miguel Rodriguez工作室..

2025 Teodoro Perez "Especial" SP/ME

$12,000.00

“Especial”是Perez工作室的顶级型号,在装饰和用料方面堪称一流。其音色极具西班牙特色,饱满浪漫,音色强劲有力。温暖、清晰、音量适中,适合各种演奏场合,同时又保留了卓越的演奏性。这把吉他的用..

1999 Jose Lopez Bellido SP/CSAR

$7,000.00

这把吉他出自格拉纳达最著名的作坊之一,由已故的Jose Lopez Bellido (1943-2024)制作,他以弗拉门戈吉他和古典吉他闻名遐迩,并备受推崇。他曾与Eduardo Ferrer、An..

2025 Francesco De Gregorio "Torres, SE 111" SP/MP

$8,500.00

这把华丽的吉他由意大利制琴师 Francesco De Gregorio 制作,是 1887 年 Antonio de Torres SE 111 的“复制品”。Francesco 与其主人、伟大的吉..

2025 Marc Dickinson "Cosmic" SP/IN

$6,000.00 - 卖

值得一提的是,Marc 拥有多个理科高级学位,其中包括物理学博士学位。他目前主要对天体物理学感兴趣,并深受天文摄影的启发。事实上,这把吉他的玫瑰花饰设计灵感源自他拍摄的一张名为“梅西耶13”的巨型球状..

1991 Miguel Rodriguez "Centenario" SP/CSAR

Inquire - 等候接听

这把吉他出自20世纪最受尊敬的作坊之一,堪称一流。它拥有强大的力量、出色的延音和极快的起音速度(如同弗拉门戈舞)。演奏起来非常轻松,这不仅归功于纤细舒适的琴颈,更归功于其罕见的650毫米弦长。此外,这..

2024 Jose Marin Plazuelo "Bouchet" SP/CSAR

$11,000.00

我们认为这位制琴师是世界上在这个价位范围内最优秀、最稳定的吉他制琴师之一。他的吉他音质出众,制作精良,注重细节,弹奏起来非常有趣。这是一把“Bouchet”型号的吉他,与他著名的叔叔 Antonio ..

2025 Yulong Guo "Torres SE 124" SP/IN

$3,000.00

这是郭玉龙倾注心血的新项目,他正在为我们GSI独家打造这款激动人心的全新型号。我们认识的每一位陶乐士迷恋托雷斯的制琴师,最终都会在自己的作品中尝试并运用托雷斯的原创理念,而且几乎总是对最终的成果感到欣..

2020 Kenneth Brogger "Stradivarius" SP/CSAR

$13,000.00 $15,000.00

多年来,肯尼斯曾多次参观意大利北部克雷莫纳(这座城市与著名小提琴制作人安东尼奥·斯特拉迪瓦里联系最为紧密)的年度乐器博览会。2011年的博览会上,一组装饰华丽的斯特拉迪瓦里原版小提琴吸引了肯尼斯的注意..

2012 John Ray "1892 Torres" SP/MP

$9,000.00

我们在此呈现一把精美细致的托雷斯(Torres)第二时代晚期复刻版,由格拉纳达制琴师约翰·雷(John Ray)倾力打造。这把吉他以一把1892年(托雷斯生命的最后一年)的原版托雷斯SE 153为基础..

2025 Gabriele Lodi "Torres" SP/CSAR

Inquire - 卖

Italian luthier Gabriele Lodi comes from a family of classical guitar makers, happily spending the m..

2025 Edmund Blöchinger "Llobet" SP/CSAR

Inquire - 卖

这把吉他的灵感源自米格尔·柳贝特(Miguel Llobet)演奏并珍藏的1859年款托雷斯(Torres)吉他,现藏于西班牙巴塞罗那音乐博物馆。布洛辛格并非照搬托雷斯,而是将这把历史吉他的元素无缝融..

2025 La Cañada "Model 17A" SP/MP

$3,750.00

“17A 型”(“A”代表“仿古”外观)主要基于 1864 年的 Torres,称为“FE 17”——这是塔雷加职业生涯中演奏的 3 把 Torres 乐器中最早的一把——这是一把迷人的第一时代风格的..

2008 Henner Hagenlocher CD/CSAR

$8,000.00 $9,000.00

这把吉他采用雪松面板,华丽的CSA玫瑰木背板和侧板,不仅外观精美,音色也富有诗意,宛如人声。秉承Henner的典型作曲风格,这把吉他琴身略小,但力量十足,音色饱满富有质感,低音浑厚,高音抒情。演奏性极..

Cordoba Luthier Select Series "Santos Hernandez" SP/MP

$3,500.00

工艺与传统的融合,数十年的匠心打造:Cordoba Luthier Select系列。这些精美的尼龙弦吉他由制琴大师手工打造,数量极其有限。这款限量发行20把的型号是“Santos Hernandez..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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