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2026 Vladimir Druzhinin "Special No. 2" SP/AR

$12,000.00

这是一把出自弗拉基米尔·德鲁日宁(Vladimir Druzhinin)之手的精美吉他,他目前在俄罗斯莫斯科郊外生活和工作。只需一眼,便能感受到这把吉他极具品味且技艺精湛的风格,这体现在他经典的音孔饰..

2016 Jesús Bellido "Homenaje a Torres" SP/MP

$5,000.00

赫苏斯·贝利多 (Jesús Bellido) 出身于格拉纳达最著名的工坊之一,是这座城市吉他制作世家的杰出成员。他的父亲曼努埃尔·洛佩斯·贝利多 (Manuel López Bellido) 和叔叔..

1987 Jose Oribe "Gran Suprema" CD/CSAR (ex Scott Tennant)

$7,000.00

何塞·奥里贝 (Jose Oribe) 于 1962 年开始制作吉他,与已故的曼努埃尔·贝拉斯克斯 (Manuel Velazquez) 一起,使他成为过去 50 年来北美最资深的吉他制作大师之一。奥..

2001 Paco Santiago Marin SP/CSAR

$9,000.00

这把吉他由格拉纳达的伟大制作师帕科·圣地亚哥·马林(安东尼奥·马林的侄子)于2001年制作,堪称一把绝妙的古典吉他。它或许是格拉纳达最强劲的乐器之一,音色优雅而抒情,同时,音域饱满厚重,令人印象深刻,..

2026 Thomas Dauge SP/AR

$18,000.00 - 卖

这把精美的吉他由法国制琴师托马斯·道格(Thomas Dauge)制作,他居住在法国西南部的波尔多地区。这把吉他融合了西班牙古典大师(托马斯制琴之路的启蒙者)的精髓,以及如今已成为法国制琴流派,尤其是..

2026 Tobias Berg "Bouchet" SP/IN

$18,000.00 - 卖

去年,也就是2025年,托比亚斯·伯格迎来了他职业生涯中的一个重要里程碑——他作为吉他制作师的30周年纪念。这让他开始思考如何开展一个全新的创意项目来纪念这一时刻。与此同时,其他一些幸运的巧合也接踵而..

2026 Wolfgang Jellinghaus "Signature CD/CD" CD/ZR

$5,000.00

这是 Wolfgang Jellinghaus 的“Signature”型号,它具有多种现代特征,尽管其中一些特征植根于过去的深厚传统。例如,采用浮动指板 - 指板根本不连接到音板,释放了顶部这个经常..

2026 Marco Bortolozzo "Gold Record - REG Limited Edition" SP/SW

$15,000.00

这是马可·博托洛佐(Marco Bortolozzo)的最新力作,专为2026年罗马吉他展打造。这把吉他凭借其大胆而惊艳的设计理念,一经亮相便吸引了无数目光。它的灵感源于几年前马可来洛杉矶拜访我们。当..

2026 Valerio Licari "Lesna - REG Special Edition" SP/IN

$12,000.00

这把吉他出自瓦莱里奥·利卡里(Valerio Licari)之手,他目前在意大利都灵生活和工作。虽然它的制作工艺完全是“西班牙式”的,但其美学细节却源自瓦莱里奥的意大利血统。这把“特别版”吉他专为20..

Asturias "Custom S-640" SP/IN

$3,500.00

对于中等价位的时尚豪瑟风格吉他而言,这些是市场上最好的日本古典吉他。它们音量大,音质好。弹奏性极佳,琴格工艺堪比最好的音乐会吉他。这款“Custom”型号的镶线和连接块上还有额外的镶嵌工艺,镶嵌着漂亮..

2026 Ariel Ameijenda "70th Anniversary" AL/CSAR

$10,000.00

阿里尔一直在思考如何庆祝阿梅延达吉他70周年(他的父亲于1954年开始制作吉他,三年后开设了自己的工作室,而阿里尔本人也从事吉他制作46年了),他决定拿出一些珍藏已久的顶级材料,为这一刻献上。这已经是..

1990 Brian Cohen SP/IN

$10,000.00

虽然布莱恩·科恩(Brian Cohen)出生于南非,但他在英国从事吉他制作已有50余年,并已成为当代最杰出的吉他制作师之一。他的吉他音色优美,手感极佳。尽管其美学设计独具科恩特色(包括我们见过的最独..

1978 Miguel Rodriguez RW/HR

$25,000.00

这是这位著名制琴师的一件顶级乐器,在许多人眼中,它完美诠释了二十世纪西班牙南部吉他制作的巅峰之作。它音量巨大,延音出色,起音迅捷(类似弗拉门戈吉他),但最重要的是,它拥有华丽而丰富的音色。虽然琴弦长度..

2026 Gerardo Centonze "The Blue Guitar - REG Limited Edition 2026" SP/AR

$12,500.00 - 卖

一个多世纪以来,“蓝色吉他”的概念一直是艺术界反复出现的主题。最著名的起源可以追溯到巴勃罗·毕加索的“蓝色时期”(1901-1904)及其名画《老吉他手》(1903-1904),这幅画启发了华莱士·史..

2026 Henrik Ballowitz SP/IN

$6,500.00

这把吉他由丹麦制琴师亨里克·巴洛维茨(Henrik Ballowitz)制作,面板选用精选的德国云杉木,背侧板则采用一套来自丹麦一位退休业余制琴师的印度老玫瑰木。这是我们从这位制琴师那里购买的第二把吉..

2009 Casimiro Lozano "1a" SP/AR

$5,000.00

资深制琴师卡西米罗·洛萨诺(Casimiro Lozano)从事吉他制作已有30余年,他最初在维森特·卡里略(Vicente Carrillo)的工作室学习,之后创立了自己的工作室,如今与儿子维克多(..

1993 Abel Garcia (supervised by José Romanillos) "1912 Manuel Ramirez ex Segovia" SP/IN

$5,000.00

我们确实很少见到这样的乐器,这绝对是难得一见的珍品!它由墨西哥顶尖制琴师之一——阿贝尔·加西亚(Abel Garcia)在西班牙科尔多瓦制作,并由已故的伟大制琴师何塞·路易斯·罗曼尼洛斯(José L..

2026 Mario Grimaldi "1920 Santos" SP/AR

$15,000.00 - 卖

这把吉他由意大利制琴师马里奥·格里马尔迪(Mario Grimaldi)以他一位挚友收藏的一把1920年桑托斯·埃尔南德斯(Santos Hernandez)吉他为原型打造。他得以仔细评估并测量原琴的..

2026 Alexis Parducci SP/AR

$8,000.00 - 卖

我们在2022年于西班牙格拉纳达举办的第五届“安东尼奥·马林·蒙特罗”国际吉他制作大赛上结识了阿根廷吉他制作师亚历克西斯·帕杜奇,他荣获了该赛事的一等奖。为了制作这把吉他,亚历克西斯精选了他最优质的材..

2026 Eduardo Bossa CD/OV

$7,500.00

这把吉他由哥伦比亚制琴师爱德华多·博萨 (Eduardo Bossa) 制作,面板采用雪松木,背侧板则选用极为珍贵的绗缝奥万科尔木,值得一提的是,指板采用哥伦比亚乌木——一种极为罕见的高级木材。这是我..

2022 Marco Bortolozzo SP/EE

$12,000.00

这是马可·博托洛佐 (Marco Bortolozzo) 的一件惊艳之作,他倾注了大量心血,打造出这件兼具美感与音色的杰作!这件作品的设计与他深厚的工业设计背景紧密相连。在这把吉他上,他探索了“完美圆..

2017 Florian Blöchinger SP/CSAR

$12,000.00

这是我们见过的最令人印象深刻的吉他之一,出自一位吉他制作大师的早期作品。无论从选材、工艺、演奏手感还是音质来看,它的制作水准都极高。精选的木材令人惊艳——完美的四分之一锯切云杉面板,深色的环纹和饰有半..

1981 Jose Romanillos "La España" SP/IN

这把吉他具备所有卓越罗曼尼洛斯吉他的特质——简而言之,它拥有甜美抒情的音色,分离度极佳。音量饱满,却几乎“无噪音”——琴弦和琴钉的噪音都被吸收而非放大,使音符本身得以清晰无阻地展现。总而言之,这是一把..

2026 Giovanni Tacchi CD/IN

$14,000.00 - 卖

著名制琴大师安德烈·塔奇之子乔瓦尼·塔奇近年来也开始学习制琴技艺。几年前,我们有幸见到了他的第一把吉他,完全由他亲手制作,几乎完全仿照他借来并深入研究过的一把丹尼尔·弗里德里希的杰作。此后,他不断尝试..

2026 Julia Wenzel "640" CD/IN

$9,500.00 - 卖

朱莉娅的吉他采用传统的西班牙风格制作,其音色和手感与米格尔·罗德里格斯(Miguel Rodriguez)工坊的吉他颇为相似,尤其是20世纪60年代的吉他,在松散、温暖和灵敏的音色方面更是如此。与此同..

1968 Pietro Gallinotti SP/CH

$7,000.00

尽管在意大利以外鲜为人知,但皮耶特罗·加利诺蒂是意大利吉他制作史上的伟大先驱之一,在意大利国内,他被尊为民族英雄,是吉他界的瑰宝。他的吉他极少出现在意大利以外的地方,而这把吉他更是我们二十五年来首次发..

2024 Teodoro Perez "Especial" SP/MP

$11,000.00

“Especial”是佩雷斯琴行的顶级型号,在装饰和用料方面都堪称完美。它的音色极具西班牙特色,饱满浪漫,起音迅速。清晰度极佳,音量充足,足以应对各种场合,包括合奏,同时保持卓越的音质。这款吉他选用的..

2026 Elias Bonet CD/AR

$9,500.00

这是这位才华横溢的年轻制琴师制作的一把精美绝伦的吉他——也是我们第三把采用如此优质材料——面板为雪松木,背侧板则选用美丽的非洲玫瑰木——的吉他。这是他的传统型号,采用五扇形音梁结构,选用经岁月洗礼的实..

1988 Andrea Tacchi "10-string" SP/CSAR

$12,000.00 $15,000.00

这是一把极其罕见的吉他。安德烈·塔奇(Andrea Tacchi)的二手吉他,品相如此之好,不仅极为罕见(尤其是这个时期的作品),而且它还是一把十弦吉他——我们至今为止见过的第一把!这把吉他做工精细,..

2026 Fernando Moreno SP/AR

$9,000.00 - 卖

这把云杉/非洲玫瑰木音乐会古典吉他,忠实地保留了其起源,清晰地展现了西班牙南部吉他的特色。它充满活力,起音迅速,每个音符都饱满而富有弹性。快速的起音确保了音符之间清晰分明的分离,赋予了它极佳的平衡性和..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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