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2024 Teodoro Perez "Antigua" SP/AR

$8,000.00 $9,000.00

“Antigua” 是 Perez 商店的最新型号,我们很高兴能有一款入库。与“Concierto”一样,这款吉他采用全法式抛光,单面设计(不同于双面设计的 Maestro 和 Especial)。但..

1986 Cynthia H. Burton "Melissa" SP/MH

$18,000.00

辛西娅·伯顿(Cynthia Burton,又名“辛迪”)与她的搭档杰弗里·埃利奥特(Jeffrey Elliott)一起生活和工作在俄勒冈州波特兰。尽管近年来辛迪一直专注于对杰夫的吉他进行法式抛光,..

2021 Kenneth Brogger "1864 Torres" SP/CSAR

$12,500.00

这把吉他几乎精确复制了肯尼斯在 GSI 观看和研究的 1864 年第一代 Torres 原版吉他(点击此处查看原版吉他的照片和描述)。原版吉他的尺寸、木材厚度、比例和美学细节都经过了精心复制。我们认为..

2003 Jean-Noel Rohe SP/IN

$11,500.00 $12,500.00

这把吉他是在 Jean-Noël Rohé 赢得2004 年“法国最佳工匠”大赛最高奖项的前一年制作的,展现了 Rohé 早期的工艺水平。吉他的声音令人难以置信,力量充沛,每个音符都快速而直接,饱满、..

2010 Teodoro Perez "Especial" SP/CSAR

$9,000.00 $10,000.00

特奥多罗·佩雷斯 1952 年出生于西班牙索里亚省,但很小的时候就搬到了马德里。1966 年,他开始在著名的何塞·拉米雷斯三世工作室当学徒,在那里制作吉他、鲁特琴、班杜里亚琴和曼陀林。在这些年里,他有..

1900's Casa Gonzalez SP/CSAR

$12,000.00 $15,000.00

十九世纪马德里的建筑师弗朗西斯科·冈萨雷斯 (Francisco Gonzalez) 几乎是安东尼奥·德·托雷斯 (Antonio de Torres) 的同时代人,但他的建造风格独树一帜 - 尤其是..

1974 Hernandez y Aguado SP/CSAR

Manuel Hernandez (1895-1975) 和 Victoriano Aguado (1897-1972) 在一家钢琴厂工作时相识并成为朋友。他们最终建立了合作伙伴关系,并在马德里开设了..

1987 Miguel Rodriguez SP/HR

这是来自 20 世纪最受尊敬的作坊之一的一流乐器。它具有巨大的力量、出色的延音和非常快的攻击速度(就像弗拉门戈舞)。演奏起来非常容易,这不仅是因为琴颈形状纤细舒适,还因为它 650 毫米的音阶,这对罗..

Cordoba "C10" CD/IN

$1,599.99

手工制作的 C10 是 Iberia 系列中首批全实木吉他之一。除了全实木琴身带来的甜美、温暖的音色外,C10 还具有手工镶嵌珍珠纹玫瑰花饰的复古优雅,灵感来自 20 世纪 20 年代的 Doming..

Cordoba "C10" SP/IN

$1,599.99

手工制作的 C10 是 Iberia 系列中首批全实心吉他之一。除了全实心琴身带来的甜美、温暖的音色外,C10 还具有手工镶嵌珍珠纹饰的复古优雅,灵感来自 20 世纪 20 年代的 Domingo E..

Cordoba "C12" SP/IN

$2,499.99

手工制作的 Cordoba C12 具有复古优雅的特色,手工镶嵌的珍珠母贝玫瑰花饰灵感来自 20 世纪 20 年代的 Domingo Esteso 设计,并在其坚固的印度玫瑰木背板上配有漂亮的火焰枫木..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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