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2013 Pepe Romero SP/MP

$12,000.00

这把 2013 年产的Pepe Romero Jr.是一把古典吉他,面板为云杉木,背侧板为枫木,由吉他手 Pepe Romero 的儿子在加利福尼亚州圣地亚哥制作。 音量巨大,弗拉明戈式的反应 ..

2024 年特奥多罗·佩雷斯“安提瓜”SP/AR

$9,000.00

这款 2024 年Teodoro Pérez “Antigua” 是一款云杉木和非洲玫瑰木古典吉他,产于西班牙马德里,在美国由 GSI 独家销售。 特奥多罗·佩雷斯“安提瓜”模型 “Ant..

1986 Cynthia H. Burton "Melissa" SP/MH

$18,000.00

这把 1986 年Cynthia H. Burton “Melissa” 是一把云杉木和绗缝桃花心木古典吉他,由长期与Jeffrey Elliott并肩工作的制琴师于 1986 年 10 月在俄勒冈州..

1974 埃尔南德斯·阿瓜多 SP/CSAR

这把 1974 年Hernández y Aguado古典吉他,采用云杉木和 CSA 玫瑰木,产于马德里工坊历史的后期,琴头上刻有金色的“MH”,代表 Manuel Hernández。 一头状..

1987年 米格尔·罗德里格斯 SP/HR

这把 1987 年的 Miguel Rodríguez 古典吉他由 Miguel Rodríguez Jr. 和他的儿子 Pepe 在西班牙科尔多瓦制作,采用云杉木和洪都拉斯玫瑰木,是该工作室在其最著..

Cordoba "C10" CD/IN

$1,599.99

Cordoba C10 CD/IN 是 Cordoba 制琴师系列的一款全新全单板古典吉他,采用雪松木面板和印度玫瑰木背侧板。 受多明戈·埃斯特索 (Domingo Esteso) 启发的玫瑰花..

Cordoba "C10" SP/IN

$1,599.99

手工制作的 C10 是 Iberia 系列中首批全实心吉他之一。除了全实心琴身带来的甜美、温暖的音色外,C10 还具有手工镶嵌珍珠纹饰的复古优雅,灵感来自 20 世纪 20 年代的 Domingo E..

Cordoba "C12" SP/IN

$2,499.99

Cordoba C12 SP/IN 是 Cordoba 制琴师系列的一款全新全单板古典吉他,采用欧洲云杉面板和印度玫瑰木背侧板。 Esteso Rosette 和火焰枫木背楔 手工制作的科..

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常见问题解答

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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