1926 Francisco Simplicio SP/CSAR
弗朗西斯科·辛普利西奥是恩里克·加西亚的唯一弟子和继承人,他不仅以其乐器优美的音色而闻名,更以其精湛的工艺和奢华的装饰而闻名。我们在此提供的这把吉他正是这些品质的典范,也是他更为华丽的型号之一,细节丰..
1923 Francisco Simplicio SP/CSAR
弗朗西斯科·辛普利西奥是恩里克·加西亚的唯一学生和继承人,他不仅因乐器的优美音色而闻名,还因精湛的工艺和华丽的装饰而闻名。我们在此提供的这把吉他就是一个典型例子,展示了这些品质的精髓,是他装饰更华丽的..
1929 Francisco Simplicio SP/SW
弗朗西斯科·辛普利西奥是恩里克·加西亚的唯一学生和继承人,他不仅因制作的乐器音色优美而闻名,还因精湛的工艺和华丽的装饰而闻名。华丽的镶线和玫瑰花饰是这位制作人作品的显著特征。他还因雕刻精美的琴头而闻名..
1929 Francisco Simplicio SP/MH
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1929 Francisco Simplicio SP/CSAR
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1928 Francisco Simplicio SP/SW
弗朗西斯科·辛普利西奥是恩里克·加西亚的唯一学生和继承人,他不仅因制作的乐器音色优美而闻名,还因精湛的工艺和华丽的装饰而闻名。华丽的镶线和玫瑰花饰是这位制作人作品的显著特征。他还因雕刻精美的琴头而闻名..
1930 Francisco Simplicio SP/MH (ex Daniel Friederich)
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1927 Francisco Simplicio SP/MH
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1925 Francisco Simplicio SP/CSAR
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1930 Francisco Simplicio SP/MH
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1927 Francisco Simplicio SP/CSAR
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1927 Francisco Simplicio SP/MH
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1928 Francisco Simplicio SP/CSAR
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..
1928 Francisco Simplicio SP/CSAR
Francisco Simplicio, the sole pupil and successor of Enrique Garcia, was known not only for the beau..