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Sold - SKU: GUFLDEL-07293 - Manuel de la Chica

1966 Manuel de la Chica SP/CY

Year 1966
Top Spruce
Back & Sides Cypress
Scale Length 665 mm
Nut width 51 mm
Finish French Polish
Country Spain
Condition Excellent
Exchange ExchangePlus
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$7,500.00

Description

This is a monster of a mid-century style flamenco blanca and as good a representative of this style as any instrument by any other maker from the period. It is featherlight, has a huge, raspy sound and great flamenco bark with piercing volume. Yet if coaxed, it has a lyrical, singing quality to it yet at the same time. This is an extremely versatile instrument that has incredibly livliness and energy. It's in great condition for its age - apart from a couple of small, well-repaired cracks in the sides, it is in excellent shape. Although a longer scale instrument, playability is a breeze, as is the norm for this maker. This is an exceptional instrument in every regard from this great builder.

Videos

1966 Manuel de la Chica SP/CY

Javier Garcia Verdugo performs his composition "Guajira a mi Abuela" on a 1966 Manuel de la Chica

Description

This is a monster of a mid-century style flamenco blanca and as good a representative of this style as any instrument by any other maker from the period. It is featherlight, has a huge, raspy sound and great flamenco bark with piercing volume. Yet if coaxed, it has a lyrical, singing quality to it yet at the same time. This is an extremely versatile instrument that has incredibly livliness and energy. It's in great condition for its age - apart from a couple of small, well-repaired cracks in the sides, it is in excellent shape. Although a longer scale instrument, playability is a breeze, as is the norm for this maker. This is an exceptional instrument in every regard from this great builder.

Background
Manuel de la Chica is arguably the greatest builder from Granada to date. He was born in 1911, and his early professional background was in cabinet making, as is the case for countless other fine guitar makers. His focus shifted to guitar making in the late 1930s when he had seen and become attracted to the Spanish guitar, primarily those of Santos Hernandez. Often his instruments are compared to the later guitars of Marcelo Barbero (who assisted in the construction of several Santos guitars left partially built at the time of his death) which we feel is a very strong and fair comparison. In 1973 he was forced into early retirement from guitar making due to health complications he was experiencing from inhaling dust and chemicals in his taller. From his early departure until his death in 1998, his instruments fell into relative obscurity, however in the past 10 years or so, there has been renewed interest and a re-evaluation of his work has convinced many that his contribution, skill and insight into the art of guitar making has established him as one of the great makers of all time.

Feel free to contact us with any questions. It’s what we’re here for!

Guitars by Manuel de la Chica