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Classical Guitars

World's Finest Classical Guitars Carefully Selected by our Experts

Showing 1 to 30 of 173 (6 Pages)
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1981 Jose Romanillos "La Toronto" SP/IN

This instrument has all the qualities of an exceptional Romanillos - in short, a sweet and lyrical t..

2025 Kris Barnett CD/EB

$10,000.00 - On Hold

This instrument features a new lattice system recently developed by Kris which is based on the golde..

1987 David Daily SP/CSAR

$7,500.00

US builder David Daily has been building guitars for several decades and has an impressive roster of..

2025 Wolfgang Jellinghaus "1912 Ex-Segovia 630" SP/ZR

$2,500.00 - On Hold

This is Wolfgang Jellinghaus' tribute to the 1912 Manuel Ramirez (built by Santos Hernandez) that An..

2025 Jochen Rothel CD/SW

$17,500.00 - On Hold

This guitar is built with a level of workmanship and attention to detail that is hard to surpass, an..

2025 Wolfgang Jellinghaus "La Romantica 1a - clear" SP/MP

$2,500.00 - On Hold

Wolfgang Jellinghaus has dedicated this model to honor the work of René François Lacôte (1785-1868),..

2025 Carlos Juan Busquiel CD/AR

$8,500.00

Another beautifully made classical guitar from Carlos Juan Busquiel, with cedar for the soundboard a..

2000 Daryl Perry SP/CSAR

$9,000.00

This is a fantastic guitar from Daryl Perry in amazing condition with a loose, warm, played-in sound..

2008 Kenny Hill "1937 Hauser" SP/IN

$4,500.00 - On Hold

A stunning and very authentic reproduction of the famous 1937 Hermann Hauser I guitar of Andres Sego..

2025 Wolfgang Jellinghaus “Torres FE 13 - clear” SP/IN

$3,000.00

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2025 Evan Kingma "Blossom" SP/ZR

$7,500.00 - Sold

This is our first guitar from one of the most in-demand up-and-coming luthiers currently on the scen..

2025 German Vazquez Rubio "Classic Estudio" SP/PE

$4,250.00

This modestly priced model is a genuine GV Rubio guitar built in his Los Angeles-based workshop. It'..

1928 Hermann Hauser I SP/CSAR (ex Julian Bream)

Inquire - Sold

By the year this instrument was built in 1928, Hermann Hauser was already well-acquainted with the w..

2023 Jean Rompré CD/IN

$12,000.00

Canadian luthier Jean Rompré sees his current style of build largely as a fusion between the work of..

2025 Wolfgang Jellinghaus "Signature CD/CD" CD/GR

$5,000.00

This is Wolfgang Jellinghaus' "Signature" model which has a variety of modern features, even though ..

2025 Wolfgang Jellinghaus “Torres 49 - clear - ex Tarrega” SP/MP

$3,800.00 - Sold

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2025 Wolfgang Jellinghaus “La Leona FE 04-T” w/tornavoz SP/CY

$3,800.00

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2025 Wolfgang Jellinghaus “La Leona FE 04” 630 SP/CY

$3,500.00 - On Hold

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2025 German Vazquez Rubio "Solista" CD/BL

$8,500.00 - Sold

This is German's most recent concert model to be developed. Called the "Solista", it features his ne..

1897 Jose Ramirez I SP/CY

$19,500.00

This is a beautiful, smaller sized cypress guitar from the shop of Jose Ramirez I and was built at a..

2025 Marco Bortolozzo SP/MH

$11,000.00

This is the latest creation from Marco Bortolozzo, yet another artistic masterpiece from this fine m..

2025 Hermanos Camps "CL20-C" CD/EE

$4,000.00

The "CL20" is a concert-level instrument with plenty of power and richness of sound to satisfy virtu..

2025 Colin van Aelbrouck "Granada" SP/AR

$9,000.00

Built by Belgian luthier Colin van Aelbrouck, this guitar is made with European spruce for the sound..

2025 Wolfgang Jellinghaus "Signature CD/CD" CD/ZR

$5,000.00 - Sold

This is Wolfgang Jellinghaus' "Signature" model which has a variety of modern features, even though ..

2025 Mario Aracama SP/IN

$9,500.00

This is a beautiful new instrument from Mario Aracama with European spruce for the soundboard and a ..

2025 German Vazquez Rubio "Classic Estudio" CD/PE

$4,250.00 - On Hold

This modestly priced model is a genuine GV Rubio guitar built in his Los Angeles based workshop. It'..

1965 Ignacio Fleta SP/CSAR

This guitar from 1965 has a spruce soundboard with back and sides of quartersawn CSA rosewood, which..

2020 Youri Soroka SP/MP

$7,500.00

This is a great guitar from Youri Soroka, which he feels is highly influenced by Torres and Hauser m..

2021 Jose Marin Plazuelo "Bouchet" SP/CSAR

$9,000.00 - On Hold

We consider this maker to be one of the finest, most consistent guitar makers in the world at anywhe..

2024 Miguel Angel Gutierrez SP/IN

$7,500.00 - Sold

Made with sitka spruce for the soundboard, and a nicely figured set of Indian rosewood for the back ..

Showing 1 to 30 of 173 (6 Pages)
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FAQs

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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