Rafael Moreno Rodriguez "Sueno"

As Moreno's flagship model, it was inspired by a guitar built by 19th century maker Joaquín Ruiz, whom Moreno believed had unique and incredible craftsmanship abilities. Moreno's "Sueno" has the characteristic sound of all his guitars - big volume without being boomy and a thick, dark sound across all registers.

Felipe Conde "FC 28" w/pegs

This negra is the same model as that made famous by Paco de Lucia. It has a driving, aggressive quality that makes it the ideal solo instrument for concert settings or the recording studio. Workmanship is the usual very high standard for this maker, very clean, precise and with a refined aesthetic all around.

Richard Jacob Weissgerber "Vienna"

This particular instrument is a Vienna Model from 1921 (the same year Weissgerber would meet Miguel Llobet). It has an adjustable neck, elegant leaf inlays below the bridge and a slightly more compact body size and smaller string length, making it very easy to play.

Jose Vigil

Jose Vigil's love of woodworking combined with musical background naturally led him to guitar construction. After settling in Granada, he was welcomed warmly into the guitar making community and received training, advice and friendship from Antonio Marin, Rafael Moreno Rodriguez and most recently from Edmund Blochinger.

Hermann Hauser III

Hermann Hauser III has tirelessly built guitars that capture the sound and aesthetic of the "teutonic" style, as initially established by his grandfather, Hermann Hauser I. Features of this style are the extreme clarity and balance between voices, even sustain in all registers, and of course incomparable beauty of tone.

Domingo Esteso (Russell Cleveland Collection)

Esteso, along with fellow worker Santos Hernandez, was one of the greatest makers of the 20th century. This particular guitar features a unique rosette with mother-of-pearl inlay, as well as some busy inlay in the purfling on the top - the kinds of details that were reserved for his premium instruments.

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