1966 Arcángel Fernández SP/CSAR
| Year | 1966 |
| Top | Spruce |
| Back & Sides | CSA Rosewood |
| Scale Length | 655 mm |
| Nut width | 53 mm |
| Finish | French Polish |
| Country | Spain |
| Luthier | Arcángel Fernández |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
Videos
Description
This 1966 Arcángel Fernández is a spruce and CSA rosewood classical guitar from Madrid – a rare rosewood classical with a huge, powerful sound.
Among the Rarest of the Rare
Arcángel studied under the legendary Marcelo Barbero and later tutored his son, the late Marcelo Barbero Hijo. Rosewood classicals from this maker rarely enter the market. Demand for these over the past several decades has been so strong – particularly in Japan, which he supplied almost exclusively in the last decades of his building career – that they have become among the rarest of the rare.
A Huge, Powerful Voice
This example from 1966 is an exceptionally strong guitar with a huge, powerful sound, very bold across all registers with a solid and clear fundamental surrounded by a beautiful, resonant halo of overtones. A collector's (and player's) dream by every measure – we were simply thrilled to have this rare gem on offer.
Background
Arcángel Fernández: Flamenco Guitar Maker of Madrid
Arcángel Fernández (born 1932) is one of the best and most famed Spanish luthiers of both flamenco and classical guitars of the latter half of the twentieth century. He came to the guitar from cabinet making, and in 1954 he became the assistant of Marcelo Barbero – then the finest maker in Madrid – preparing woods and finishing instruments. He was the only person ever to apprentice with Barbero. When his master died in March 1956, Arcángel completed the guitars left unfinished in the shop and for about a year went on building for Barbero's widow.
His Own Workshop in Lavapiés
He then opened his own workshop at Jesús y María 26, a couple of blocks from Barbero's old shop in Madrid's Lavapiés quarter. There he took in Barbero's young son, Marcelo Barbero Hijo, taught him everything he had learned from the father, and worked side by side with him for some forty years. Like his master, Arcángel played an integral role in defining the archetypal flamenco guitar – light, fast and powerful, with a loose, dry and woody "old world" sound – which still serves as the model for flamenco luthiers chasing that classic mid-century sound. He built only a small number of guitars each year, in his later decades almost exclusively for collectors in Japan, until demand grew so great that he stopped taking orders. In 2011 he retired to the Canary Islands.
Books on Arcángel Fernández
A 1962 Arcángel Fernández is one of the guitars reproduced in Alberto Martínez's book "34 Classical Guitars in Life Size", with photographs and full-size drawings of each instrument:



