1995 Francisco Barba CD/CY
| Year | 1995 |
| Top | Cedar |
| Back & Sides | Cypress |
| Scale Length | 656 mm |
| Nut width | 53 mm |
| Finish | French Polish |
| Country | Spain |
| Condition | Excellent |
| Exchange | ExchangePlus |
$10,000.00
Of the same generation as Manuel Reyes and Gerundino, Francisco Barba is considered one of the top constructors of flamenco guitars in Spain. He is also the best-known builder in Seville where his guitars have been played by many of the city's top guitarists including Riqueni, Manolo Franco, Nino de Pura and many others. This cedar-topped blanca is visually stunning and features many unique and lovely details including a striking alternation of a red/green motif in the rosette and purfling - the central mosaic being a beautiful floral pattern. Tone is fat and balanced with a lot of punch, volume and flamenco edge. In other words - a very powerful and lively Andalusian flamenco guitar by every measure. Playability is a breeze - it has an easy and sleek neck with low flamenco action and just the right amount of "sizzle" which adds to the authentic southern Spanish flamenco sound. The guitar is also light as a feather - absolutely in line with the best flamencos made by Barbero, Arcangel and even Santos. This is a top concert instrument for any professional flamenco setting - whether on stage or in studio. Condition is excellent with no prior damage or repairs, just some very minor wear in a few areas in the finish from prior use. This is a rare opportunity to own a top concert instrument by this legendary maker for any professional flamenco setting - whether on stage or in studio.
Orfeo Magazine #25 - Flamenco: Origins of the Flamenco Guitar
Of the same generation as Manuel Reyes and Gerundino, Francisco Barba is considered one of the top constructors of flamenco guitars in Spain. He is also the best-known builder in Seville where his guitars have been played by many of the city's top guitarists including Riqueni, Manolo Franco, Nino de Pura and many others. This cedar-topped blanca is visually stunning and features many unique and lovely details including a striking alternation of a red/green motif in the rosette and purfling - the central mosaic being a beautiful floral pattern. Tone is fat and balanced with a lot of punch, volume and flamenco edge. In other words - a very powerful and lively Andalusian flamenco guitar by every measure. Playability is a breeze - it has an easy and sleek neck with low flamenco action and just the right amount of "sizzle" which adds to the authentic southern Spanish flamenco sound. The guitar is also light as a feather - absolutely in line with the best flamencos made by Barbero, Arcangel and even Santos. This is a top concert instrument for any professional flamenco setting - whether on stage or in studio. Condition is excellent with no prior damage or repairs, just some very minor wear in a few areas in the finish from prior use. This is a rare opportunity to own a top concert instrument by this legendary maker for any professional flamenco setting - whether on stage or in studio.
Orfeo Magazine #25 - Flamenco: Origins of the Flamenco Guitar
Feel free to contact us with any questions. It’s what we’re here for!
