1996 Manuel Reyes "Classical" CD/CSAR
| Year | 1996 |
| Top | Cedar |
| Back & Sides | CSA Rosewood |
| Scale Length | 655 mm |
| Nut width | 52 mm |
| Finish | French Polish |
| Country | Spain |
| Luthier | Manuel Reyes |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
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Description
The classical guitars of Manuel Reyes almost never appear on the market - so this is a very rare treat to have this magnificent instrument here in our showroom - it's only the 2nd classical Reyes we've had in the past 20 years. It is an extraordinary instrument in every way - ease of playabilty, production of huge sound with little effort, lyrical, clean, balanced and gorgeous quality of sound. Words fall short in trying to express just how great a "classical" guitar this is. If it has any flamenco characteristic in it - it would definitely be the responsiveness - the immediate attack with "fundamental forward" which gives the guitar great clarity and balance. There is overtone content which trails the fundamental to produce a lovely, resonant sound with a lovely textured sustain. Although a cedar top, it sounds like a blend between spruce and cedar - very compelling that it shares qualities found in both woods. Condition of the guitar is amazing as well - no cracks or prior repairs, all original with very little wear. This is for the most discriminating player or collector seeking a great sounding Reyes in such amazing shape. This guitar is a true masterpiece, a truly remarkable and rare instrument.
Background
Although Manuel Reyes of Cordoba (1934-2014) is considered to be the greatest and most sought-after Andalucian flamenco builder of the latter half of the 20th century (and beginning of the 21st) he was also an extraordinary maker of fine classical instruments as well although he received fewer commissions due to the overwhelming demand for his flamencos. For more than half a century he was known for his superb workmanship and authentic Andalusian flamenco sound - he always constructed his guitars in the heart of the old quarter of Cordoba, in the deep south of Spain. His guitars have been played by dozens of professionals internationally, perhaps most notably being Vicente Amigo and Paco Serrano. At the time of his passing, his waitlist for new instruments had been closed for years due to its enormous size.


