2008 Edmund Blöchinger "Llobet" CD/CSAR

This particular instrument is inspired by the 1859 Torres that was played and cherished by Miguel Llobet and is now housed in the Museu de la Musica in Barcelona, Spain. Rather than a literal copy, Blochinger has seamlessly fused elements of the historical guitar into his own design - obviously the largest departure being the use of cedar for the soundboard. The resulting instrument has enormous charm both physically and sonically. The tone is warm with a beautiful soft glow but is also very penetrating and clear. It has surprising volume despite the slightly smaller body size, making it a delight to play. It also boasts one of the most comfortable neck-shapes, and the finish on the back of the neck is done in such a way that the left hand plays effortlessly, with no "stickiness" for the left thumb. Note: These photos were taken 10 years ago when we last had the guitar here and although the guitar is in excellent, original condition with no damage or repairs, there is a bit more playing wear in the finish and the machines have been changed to six Rodgers single gear tuners. Feel free to contact us with any questions about the instrument. Otherwise, the guitar remains an extremely impressive and beautiful guitar for the serious performer or collector alike.

Orfeo article on Hauser III, Blochinger and Ober

Firmly established as one of the top living builders, Edmund Blochinger is now in great demand world-wide. He originally began building his guitars in the style of Hauser and Torres and in recent years has been influenced by Miguel Rodriguez guitars from the early 60s. Pepe and Celin Romero have been great champions of these instruments and they both play on Blochinger guitars as one of their main concert instruments. Recently, Celino Romero has also been touring and recording on a cedar Blochinger as well. In Pepe's words, Blochinger is "one of the greatest" luthiers in the world today. They record wonderfully, and on stage, they have great projection and an outstanding quality of tone, audible all the way at the back of any large hall.