Francisco Barba


Tone for this guitar is fat and balanced with a lot of punch, volume and flamenco edge. In other words - a very powerful and lively Andalusian flamenco guitar by every measure, while playability is a breeze.

Orfeo Magazine, 6-10


GSI is proud to present the second installment of the gorgeous, coffee-table style book housing issues 6-10 of the online publication, Orfeo Magazine, whose featured articles have profiled the lives and work places of a selection the world's finest classical guitar makers - both past and present.

Pepe Romero


Made by the son of the great guitarist of the same name - this is one of the "0" guitars (#160) that until now has been a part of the Romero family collection - indeed the label bears a dedication to Pepe Sr.

Santos Hernandez


Santos Hernandez is one of the elite makers of the historical pantheon - along with Torres and Hauser I in terms of collectibility and historical importance. Santos became a very established maker early in his career as he was known as the builder of the Manuel Ramirez guitar of 1912 that was owned and played by Andres Segovia.

Wolfgang Jellinghaus "Signature"


The fingerboard on this instrument is not attached to the soundboard at all, freeing this often under-utilized part of the top to vibrate freely and contribute to the overall sound - this is an idea inspired by similar systems from the old Viennese style instruments, most notably those of Stauffer.

Tobias Berg


Another exceptional guitar from Tobias Berg. Materials are gorgeous including a stunning set of European walnut for the back and sides (and head veneer), which has a golden-like, shimmery glow to it. Soundboard is spruce, and he uses boxwood binding throughout.

Ignacio Fleta (ex Norbert Kraft)


This particular Fleta has all the elements that one could possibly want from one of their top examples - tremendous power, perfect balance, deep warm tone and ample clarity between voices in all registers.
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