"They are outstanding instruments, which I have had the privilege to encounter while preparing my photo essays for Orfeo Magazine, and which are housed in collections in France, Spain, Italy, Germany and the [US]." - Alberto Martinez

This is an excellent and very impressive guitar all around - our second CSAR model from this very fine maker, and it's lovely to see one after having had several others made with a myriad of woods.

This guitar is a monster of a blanca built in the 3^rd decade both of this guitar maker’s career and of the 20^th century. Although it was built in the mid-1920s, it has all the punch and power normally associated with the great mid-century Andalucian flamencos.

Look no further. Browse our Specials page before they're all gone, and you'll find great guitars here by Eric Sahlin, G.V. Rubio and Francisco Barba, to name a few. Everything has slashed prices!

Felipe's years of apprenticeship under the watchful eyes of his father guarantee that workmanship is the usual very high standard from this shop. Materials are always first-class, and for this guitar, he used some beautiful and exotic Green Ebony for the back, sides, purflings, bridge and head veneer.

This guitar by Paolo Coriani is a near-exact "bench copy" of a 1907 Enrique Garcia that Paolo had for a time in his workshop and was able to study in every minutia of detail. It has a romantic, lyrical quality to it with a deep bottom-end, much like the original instruments from Enrique Garcia.

The "Model 17A" ("A" for "antiqued" look) is based largely on an 1864 Torres, known as "FE 17" - the earliest of Tarrega’s 3 Torres instruments that he would play throughout his career. This is a charming, first-epoch style guitar with a slightly more compact body size and shorter scale length.