1916 Viuda de Manuel Ramírez “SH” w/pegs SP/CY
| Year | 1916 |
| Top | Spruce |
| Back & Sides | Cypress |
| Scale Length | 654 mm |
| Nut width | 51 mm |
| Finish | French Polish |
| Country | Spain |
| Luthier | Manuel Ramírez |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
Videos
Description
Completed in 1916 under the "Viuda" (widow's) label of Manuel Ramírez's shop, this spruce and cypress guitar was built by Santos Hernández, whose initials "SH" are stamped on the label and heel block.
In the video above, Justin Chen plays Francisco Tárrega's "Recuerdos de la Alhambra" on this guitar.
Built by Santos Hernández in the Ramírez Shop
After Manuel Ramírez's death in 1916, the shop continued to complete instruments under the label of the "Viuda". This guitar dates from that period: it is stamped internally with the initials "SH" on both the label and the heel block, and an inscription and signature inside reads "construida por Santos Hernandez 1916" – obviously identifying Santos Hernández as its builder.
A Magical Old-World Sound
This guitar has a magical old-world sound, with deep basses, plump and warm trebles, and rich textures of sound interwoven with clear, bell-like fundamentals. Its feather-like weight gives it incredible volume and instant response. No wonder more and more contemporary luthiers have worked to rediscover this style of build – it has a mystical charm that has captivated players and listeners for more than a century. The sound is unmistakably Spanish: deep, dark and mysterious.
Classical or Flamenco; Condition
Built when the distinction between "classical" and "flamenco" was not yet being made, it is simply a great "guitar", equally at home in concert or in the studio, in either style. The soundboard has some well-repaired and stable cracks, while the back and sides are clean, with no repairs or prior damage.
Background
Manuel Ramírez (1864–1916): The Madrid Workshop After Torres
The Manuel Ramírez shop was undoubtedly the most important guitar workshop of the early post-Torres era. Brother and former pupil of José Ramírez I, Manuel committed himself to carrying the Torres design into the 20th century, and he gathered the finest builders of his day to do it: Santos Hernández, Domingo Esteso, Modesto Borreguero, Pascual Viudes and, very likely, Enrique García. Together they produced guitars that secured the legacy of Torres for every generation of makers that followed.
Segovia's 1912 Manuel Ramírez
The shop's most famous instrument is the 1912 guitar played by the young Andrés Segovia, built by Santos Hernández and today housed in the Metropolitan Museum of Art in New York, alongside Segovia's 1937 Hermann Hauser I.
The "Viuda de Manuel Ramírez" Label
After Manuel's death in 1916, the workshop went on completing instruments under the label of his widow ("Viuda de Manuel Ramírez"). His craftsmen later founded workshops of their own – Santos Hernández on Calle de la Aduana and Domingo Esteso at Gravina 7 – carrying the shop's sound and standards deep into the 20th century.

