1927 Francisco Simplicio No. 128 SP/MH

This 1927 Francisco Simplicio is a spruce and quilted mahogany classical guitar from Barcelona, No. 128 – in almost perfect, original condition, with a tornavoz and its original case.

No. 128 with Quilted Mahogany

Beyond the ornate carving and inlay work, the materials are striking – the back and sides are a set of gorgeous quilted mahogany, and the whole guitar is a fine example of Simplicio at his best.

Tornavoz and Sound

The sound is particularly magnificent – every note up the entire register has great depth, with a big bottom-end and lyrical trebles. This effect is enhanced by a "tornavoz", which adds a sonic boom to the bottom end and gives the trebles a brilliant clarity.

Original Condition and Original Case

The guitar is in almost perfect condition – with only a small amount of play wear and nothing more. Playability is also superb, thanks to a recent re-fret and setup by Yuris Zeltins. With the exception of the frets, it is in entirely original condition, and it even comes in its original case, which is in itself a work of art – these are rarely seen these days with these older instruments. A highly desirable Simplicio.

Orfeo article on Simplicio – the French guitar magazine Orfeo devoted a feature to Francisco and Miguel Simplicio in its first issue.

Francisco Simplicio: Enrique García's Only Pupil

Francisco Simplicio (1874–1932) was brought up in Barcelona and was a cabinet-maker before he turned to guitar making in the workshop of Enrique García, the founder of the Barcelona school. He joined García in 1918, and the guitars of García's last years were built by the two of them together. When García died in 1922, Simplicio took over the premises at Paseo de San Juan 110, and his labels proudly state that he was García's "successor and only pupil" – "Suc. y único discípulo de Enrique García" – with García's Chicago 1893 medals.

Carved Headstocks and Art Nouveau Ornament

Simplicio was known not only for the beautiful tone of his instruments, but also for his exquisite workmanship and use of extravagant ornamentation. The ornate purfling and rosette detailing are immediately recognizable features of his work, as are the heavily and beautifully engraved headstocks, very much in the Art Nouveau taste of Barcelona at the time. His standard head was based on the Torres pattern, he often fitted a "tornavoz" (a conical tube attached to the soundhole), and in 1929 he won a gold medal at the World's Fair in Barcelona. He died in January 1932 and his son Miguel carried on the workshop.

The Simplicio Sound

The famous 'sound' of Simplicio is perhaps the most unique of the great makers of the twentieth century – it has a very "old-world" charm, and players of these guitars often remark how they are transported psychologically to another world when playing a Simplicio. His guitars left their mark on later makers such as Ignacio Fleta and Daniel Friederich, and they are sought after by collectors because despite their age they continue to play well.