1970 Marcelino López SP/CSAR
| Year | 1970 |
| Top | Spruce |
| Back & Sides | CSA Rosewood |
| Scale Length | 660 mm |
| Nut width | 53 mm |
| Finish | French Polish |
| Country | Spain |
| Luthier | Marcelino López Nieto |
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Description
This 1970 Marcelino López Nieto is a classical guitar of spruce and CSA rosewood made in Madrid, Spain – crack-free and freshly refretted.
Refretted and Ready
Made in 1970, the guitar shows the style he championed at its best. Condition is excellent for a guitar of this age, with no cracks and no damage. It has recently been refretted by Yuris Zeltins and is concert-ready for any performance situation. This is a fantastic example by one of Spain's most enduring and experienced legends.
Read more: Orfeo Magazine No. 3 – interview with Marcelino López Nieto · Orfeo No. 3 on our blog · our 2008 interview with Marcelino
Background
Marcelino López Nieto (1931–2018): Guitar Maker of Madrid
The late Marcelino López Nieto was one of Spain's most respected guitar makers of the 20th century. He was originally a performer of the guitar – a student of Daniel Fortea, who was himself a pupil of Tárrega – and his professional background was in cabinetmaking, so the move to guitar making came naturally, as it has for so many builders throughout history. After the death of Santos Hernández in 1943 he befriended Santos' widow, Matilde Ruiz López, and was able to spend time in the Santos workshop before setting up his own shop in 1949, at the age of 18. He also worked with Hernández y Aguado in the early 1970s and built several "Hernández y Aguado" models over the years.
Small-Bodied Guitars in the Tradition of Torres
Although a Madrid maker, Marcelino never fell under the shadow of the larger, sturdier guitars of the Ramírez school. He always preferred to build in the traditional style of Antonio de Torres and the southern Spanish makers – a smaller body without double sides, mostly spruce tops and a French polish finish. Alongside his classical and flamenco guitars he also built historical instruments, from vihuelas, lutes and Baroque and Romantic guitars to violins, many of them after originals in his own large collection.
