2015 Ethan Deutsch "Negra" SP/CSAR
| Year | 2015 |
| Top | Spruce |
| Back & Sides | CSA Rosewood |
| Scale Length | 656 mm |
| Nut width | 52 mm |
| Finish | French Polish |
| Country | USA |
| Luthier | Ethan Deutsch |
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Description
A 2015 flamenco negra by Ethan Deutsch with a spruce top, CSA rosewood back and sides and mechanical pegs – a concert negra that has been played regularly for a decade.
An Ethan Deutsch Flamenco Negra
Like his background as a player, Ethan's guitars are very traditional. This one is notably lightweight, like the mid-century flamenco guitars of Andalucía, and likewise has a strong, quick snap to the attack of each note. The body of each note is loose and old-world, with warm basses and lyrical trebles – a beautiful instrument with a great, traditional Spanish sound.
Playability and Pegs
It is extremely easy to play for the left hand, with a sleek and easy contour to the neck, and ultra-responsive to the touch, so very easy on the right hand as well. It is fitted with "machined" pegs for the cool "old-school" look with modern ease of use.
Condition
Condition is excellent, with no cracks or repairs – only some normal finish wear, as should be expected from an instrument that has been regularly played for over a decade. For the serious flamenco player looking for a fantastic negra concert guitar, we can recommend this instrument highly.
Background
Ethan Deutsch: Flamenco and Classical Guitar Maker in Seattle
Ethan Deutsch builds flamenco and classical guitars in Seattle, Washington, and has done so full-time since 1997. Born in 1955, he took up the flamenco guitar as a teenager in the Boston area – and the path from there to the workbench is one of the more fascinating stories among the makers we know.
Morón de la Frontera and Diego del Gastor
In 1970, at fifteen, he went to Spain for a year and studied with the legendary Gypsy guitarist Diego del Gastor in Morón de la Frontera, near Sevilla, absorbing the music mostly by listening and watching. He came home in 1971 with a Manuel Contreras flamenco guitar, discovered Irving Sloane's book Classic Guitar Construction and began building – learning mostly on his own.
Chemist, Flamenco Guitarist, Furniture Maker
With little guidance available for an aspiring luthier, Ethan went to college instead: a chemistry degree at Antioch College, then a Ph.D. in chemistry at Princeton and five years as a research chemist. All the while he performed flamenco professionally under the stage name "Mario Amaya" and taught himself fine woodworking. In 1989 he opened a one-man furniture and cabinet shop in Chicago, moved it to Seattle in 1991, and in 1997 came full circle and returned to guitar making.
Traditional Guitars in the Andalusian Manner
Ethan builds in the old Spanish tradition, mostly flamenco blancas of cypress and spruce, along with negras and a few classical guitars. Over the years he has fitted many of his flamencos with mechanical "machined" pegs from different makers, which keep the look of wooden friction pegs. Flamenco players such as Gerardo Núñez, Jason McGuire and Kai Narezo have all played his guitars.
