2005 Marcelino López "Blanca" SP/CY
| Year | 2005 |
| Top | Spruce |
| Back & Sides | Cypress |
| Scale Length | 650 mm |
| Nut width | 51 mm |
| Finish | French Polish |
| Country | Spain |
| Luthier | Marcelino López Nieto |
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Description
This 2005 Marcelino López Nieto "Blanca" is a spruce and cypress flamenco guitar made in Madrid, Spain, with old-school maple tap plates and gold frets.
A Compact Flamenco Blanca
This guitar, made in 2005, is a great example of the style he championed – a flamenco blanca with a more compact body shape, old-school maple tap plates, gold frets and a lovely, thick maple strip in the back.
Condition
Condition is excellent for a guitar of this age. Apart from the tiniest bit of playing wear in the finish, the guitar has no damage or repairs, and it is concert-ready for any performance situation.
Read more: Orfeo Magazine No. 3 – interview with Marcelino López Nieto · Orfeo No. 3 on our blog · our 2008 interview with Marcelino
Background
Marcelino López Nieto (1931–2018): Guitar Maker of Madrid
The late Marcelino López Nieto was one of Spain's most respected guitar makers of the 20th century. He was originally a performer of the guitar – a student of Daniel Fortea, who was himself a pupil of Tárrega – and his professional background was in cabinetmaking, so the move to guitar making came naturally, as it has for so many builders throughout history. After the death of Santos Hernández in 1943 he befriended Santos' widow, Matilde Ruiz López, and was able to spend time in the Santos workshop before setting up his own shop in 1949, at the age of 18. He also worked with Hernández y Aguado in the early 1970s and built several "Hernández y Aguado" models over the years.
Small-Bodied Guitars in the Tradition of Torres
Although a Madrid maker, Marcelino never fell under the shadow of the larger, sturdier guitars of the Ramírez school. He always preferred to build in the traditional style of Antonio de Torres and the southern Spanish makers – a smaller body without double sides, mostly spruce tops and a French polish finish. Alongside his classical and flamenco guitars he also built historical instruments, from vihuelas, lutes and Baroque and Romantic guitars to violins, many of them after originals in his own large collection.

