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Classical Guitars

World's Finest Classical Guitars Carefully Selected by our Experts

Showing 1 to 30 of 153 (6 Pages)
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1951 Edgar Mönch SP/IN

$10,000.00

A fine example by this well-known German builder, it was built in Munich, before he moved to Toronto..

2009 Jeremy Cooper "CD/SP" CD/CSAR

$7,500.00

This instrument was built in 2009 by American luthier Jeremy Cooper and was made with a Nomex-core s..

2026 Federico Jiang "Arias" SP/MP

$6,500.00 - On Hold

Built by Chinese luthier Xiaoqing "Federico" Jiang, this guitar - inspired by the great virtuosity o..

2025 Darío García "La Leona" SP/CY

$6,500.00

This guitar was built by Spanish luthier Darío García, who won Third Prize at the seventh Anton..

1997 Brian Cohen "8-Course Renaissance Lute" SP/MP

$4,000.00

Although Brian Cohen is originally from South Africa, he has become known as one of the best contemp..

2026 La Cañada "Model 115" SP/CY

$3,750.00

The "Model 115" is based largely on an 1888 Torres - the 115th guitar built during his second epoch ..

2026 La Cañada "Model 115A" SP/CY

$3,750.00

The "Model 115A" is based largely on an 1888 Torres - the 115th guitar built during his second epoch..

2026 La Cañada "Model 17" SP/CY

$3,750.00

The "Model 17" is based largely on an 1864 Torres, known as "FE 17" - the earliest of Tarrega’s 3 To..

2026 La Cañada "Model 115" SP/GR

$3,750.00

The "Model 115" is based largely on an 1888 Torres - the 115th guitar built during his second epoch ..

2026 La Cañada "Model 17" SP/MP

$3,750.00

The "Model 17" is based largely on an 1864 Torres, known as "FE 17" - the earliest of Tarrega’s 3 To..

2026 La Cañada "Model 115A" SP/GR

$3,750.00 - On Hold

The "Model 115A" ("A" for "antiqued" look) is based largely on an 1888 Torres - the 115th guitar bui..

1981 David Rubio 8-course Renaissance Lute SP/MP

$6,000.00 - Sold

David "Jose" Rubio is well known for his eclectic output of fine musical instruments – in addition t..

2026 Ariel Ameijenda "1885 Torres - SE 81" SP/CY

$10,000.00 - Sold

This is a great Torres copy with a fascinating back-story. Several years ago, a previously "unknown"..

2014 Richard Reynoso CD/IN

$12,000.00 - Sold

Richard Reynoso is a guitar maker based out of Hollywood, California. His instruments are fully trad..

2026 Edmund Blöchinger "Dome" SP/CSAR

Inquire - Sold

The backstory of this instrument is absolutely incredible. Although Blochinger is known for the qual..

2026 German Vazquez Rubio "Concert 635" SP/MP

$8,500.00

This is a beautiful concert instrument featuring several unique and striking design elements. Each t..

2026 Wolfgang Jellinghaus "Signature CD/SP" CD/GR

$5,000.00

This is Wolfgang Jellinghaus' "Signature" model which has a variety of modern features, even though ..

2026 Wolfgang Jellinghaus "Friederich - aged" CD/IN

$3,500.00 - Sold

This is Wolfgang Jellinghaus' tribute to the great French master Daniel Friederich. The design stron..

2026 Wolfgang Jellinghaus "Torres SE 77" SP/GR

$2,500.00 - Sold

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2026 Wolfgang Jellinghaus “Torres SE 49 - clear - ex Tarrega” SP/MP

$3,800.00 - Sold

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2011 Dominique Field SP/CSAR

Dominique Field's contribution to French lutherie is now universally regarded to be as important, in..

2026 Fructuoso Zalapa "Romanillos" SP/KW

$6,500.00

This model is a tribute to one of his previous teachers, Jose Romanillos. The structural elements su..

1988 Eric Sahlin 9-Course Lute SP/MP

$4,000.00 - Sold

Although his reputation rests primarily on the quality of his guitars, Eric Sahlin also has built se..

2020 Kenneth Brogger "Stradivarius" SP/CSAR

$8,500.00

On many occasions over the years, Kenneth has been a visitor to the annual musical instrument fair i..

2026 Wolfgang Jellinghaus "Friederich" CD/IN

$3,500.00

This is Wolfgang Jellinghaus' tribute to the great French master Daniel Friederich. The design stron..

2026 Wolfgang Jellinghaus "Torres SE 77" SP/MP

$2,500.00

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2026 Wolfgang Jellinghaus “La Leona FE 04 645" SP/CY

$3,500.00

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

2026 Wolfgang Jellinghaus “Torres SE 49 - ex Tarrega” SP/MP

$3,800.00

Wolfgang Jellinghaus' exploration of the work of Antonio de Torres has led him to build a selection ..

1996 Manuel Velazquez SP/CSAR

$15,000.00 - On Hold

This is a great, full-size concert instrument built in the classic Velazquez style - lightweight yet..

1997 Tom Blackshear "1976 Rodriguez" SP/CSAR

$7,500.00 - Sold

American luthier Tom Blackshear had a long career both playing and building Spanish-style guitars si..

Showing 1 to 30 of 153 (6 Pages)
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FAQs

Choosing a classical guitar might seem daunting at first, however, at GSI it’s our pleasure and duty to ensure that the selection process is a very satisfying experience thanks to the advice of our guitar experts. Our classical guitar store features guitars made by carefully chosen luthiers from around the world and our staff knows each instrument very well. Our experts are able to help you narrow your top picks to just a few guitars which you might want to try by yourself with no commitment to purchase.

Classical guitar, in the form as we know it today, was largely developed by Spanish guitar maker, Antonio de Torres Jurado (1817-1892). Torres introduced many new innovations to his guitars. Most notably, he increased the size of the body of the guitar, and introduced a fan-strut bracing system, and in his later guitars he started using machine heads. His guitars also had separated saddles which allowed minute adjustments of string heights.

We should look for:

  1. Establish a budget
  2. Identify what type of sound you like the most. You can also ask our experts for advice.
  3. Decide whether you want a used or new instrument.
  4. Check for ‘wolf’ notes and buzzes. Playability is also very important.
  5. We recommend testing the sound from the perspective of a player and a listener.

Read more Frequently Asked Questions

The differences between classical and flamenco guitars lie in their materials, construction and sound.

Materials: Classical guitars are generally made with spruce or cedar tops, and on rare occasions, other woods like redwood or pine. Back and sides are mostly made of various rosewoods, maple and mahogany to enhance sustain. In recent years many younger luthiers searching for more sustainable and easy-to-source woods have begun to use some really fantastic materials including granadillo, exotic ebony, wenge, koa, walnut and a variety of other hardwoods. Flamenco guitars are generally made with spruce tops and cypress for the backs and sides to enhance volume and emphasize the attack of the note. However over the past many decades, rosewood flamencos known as “Flamenco negras” have risen in popularity, largely due to Paco de Lucia who first used a rosewood guitar beginning in 1969.

Construction: The body of a classical guitar is generally deeper and the woods are slightly thicker. Flamenco guitars have a flat or negative (before string tension) neck relief, making the action very fast at the cost of some buzzing. The strings are also closer to the body on flamenco guitars to facilitate tapping. Flamenco guitars often bear a "golpeador", which is a sheet of plastic mounted to the face of the guitar to protect its finish from percussive techniques, like tapping the soundboard with the players fingers.

Sound: The classical guitar is designed to give the soloist the tools to perform poly-timbral music: "An orchestra in a box". The attack is soft with a longer and gradual decay. The flamenco guitar is designed to cut through the sound of dancers stomping their feet. The sound is a bit more percussive, a loud and immediate sonic burst followed by a swift decay is characteristic of traditional flamencos.

It is also important to mention that many of these "differences" are finessed to different degrees by different luthiers, depending on their personal taste. Miguel Rodriguez classical guitars for example have always famously had a fast, flamenco-like attack. There are also numerous hybrid-type guitars where the luthier intends for the same instrument to be playable convincingly by both flamenco and classical performers.

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