1981 David Rubio 8-course Renaissance Lute SP/MP
| Year | 1981 |
| Top | Spruce |
| Back & Sides | Maple |
| Scale Length | 650 mm |
| Nut width | 83 mm |
| Finish | French Polish |
| Country | England |
| Luthier | David Rubio |
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Description
A 1981 8-course Renaissance lute by David Rubio, with a spruce soundboard and a 9-stave maple back, made in his Cambridge workshop – in remarkably clean condition, with its original case.
An Elizabethan Lute from Cambridge
Rubio built this lute after his return to England in 1967 and his move to Cambridge in 1979. It is an excellent example of his creative and elegant craftsmanship, with an ornately carved bridge and soundhole rose, a 9-stave maple back, an inlaid neck and head, and inlaid frets. Of its 8 courses, the first two are single and the lower six doubled.
For Renaissance and Baroque Music
It would be a great instrument for the guitarist seeking a more authentic sound in lute music of the Renaissance and into the Baroque – with the additional courses, the music can be played as written. There are no known repairs or cracks and no visible playing wear, and it comes with its original custom-fitted case. Rubio lutes rarely come to market.
Background
David Rubio: From Flamenco Guitarist to Master Instrument Maker
David Rubio (1934–2000) is arguably the most important guitar maker to emerge from England, and the founding father of the English school. Born David Spink and raised in London, he studied medicine at Trinity College Dublin, then left for Spain, where he earned his living as a flamenco guitarist accompanying singers and dancers – and picked up the nickname "Rubio" for his red beard. A touring flamenco company brought him to New York, where, from what he had seen in the guitar shops of Spain, he taught himself to build guitars under the name "Jose" Rubio. Within a few years Julian Bream was playing his instruments.
Guitars, Lutes, Harpsichords and Violins
Rubio returned to England in 1967 and, from workshops near Oxford and, from 1979, in Cambridge, built a remarkably wide range of instruments: guitars and lutes, harpsichords, baroque and modern violins, violas and cellos. In the late 1960s and 1970s he trained three young makers in his methods – Kazuo Sato, Edward B. Jones and Paul Fischer – who built guitars of his design marked with their initials. Late in his life he developed a radical 8-string guitar, the "Brahms" model, with Paul Galbraith. He died in Cambridge on October 21, 2000, leaving more than a thousand instruments.
