1997 Daniel Friederich No. 749 SP/IN
| Year | 1997 |
| Top | Spruce |
| Back & Sides | Indian Rosewood |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | French Polish |
| Country | France |
| Luthier | Daniel Friederich |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
Description
This 1997 Daniel Friederich No. 749 is a spruce and Indian rosewood classical guitar from Paris – a majestic late spruce-top Friederich, from the years when GSI received one new guitar a year from him.
No. 749: a Late Spruce Friederich
Daniel Friederich is known for his unsurpassed aesthetic as well as his beautiful and powerful tone, and by the 1990s most of his guitars had cedar tops – which makes a spruce Friederich of this period all the more interesting. Its label reads "Année 1997, No. 749", 33 rue Sergent Bauchat, 75012 Paris.
Sound
This majestic guitar lives up to its reputation with ease. It has bold, powerful basses with perfectly smooth, silky and creamy trebles – all the way to the 19th fret. Instruments by this maker and from this vintage in this condition rarely appear on the market, and are regarded by collectors, players and aficionados to be among the finest guitars money can buy.
Background
Daniel Friederich: Paris Master of the French School
Daniel Friederich (1932–2020) was one of the most respected and influential classical guitar makers of the twentieth century. Born in Paris, he built his first guitar in 1955 – a simple copy of a Francisco Simplicio – became a full-time maker in his Paris workshop in 1960 after showing his work to Robert Bouchet, and in 1967 won top prizes at the legendary Liège competition: a gold medal for craftsmanship and a silver for sound, awarded anonymously by a jury that included Bouchet and Ignacio Fleta.
The elegant body shape and the distinctive headstock with its raised central design make his guitars easy to recognize, and they are known for their unsurpassed aesthetic as well as their beautiful and magisterial quality of tone. Many of the best players in the world have played them, including the Romeros, Manuel Barrueco, Julian Bream, Scott Tennant, Roberto Aussel, Eduardo Fernández, Álvaro Pierri and David Tanenbaum.
Concert, Recital and Arpège Models
In the 1960s Friederich built two main lines: the "Concert" model – his most advanced guitar, with a carved head, specially designed machine heads, the finest woods and a serial number on the label – and the less expensive "Recital" and "Arpège" models, which carried no serial number. From 1970 on he made only "Concert" guitars, each label giving the number and year. In his own words, his earlier guitars were "relatively simple, pleasant to play" with a "quite explosive" sound; from about 1973 he increased their weight, for more sustain and a richer, sweeter voice.
Daniel Friederich and GSI
GSI was proud to be Friederich's exclusive worldwide dealer for his new guitars until he retired in 2014, and for over 20 years we received one guitar a year from him. He passed away in Paris on November 4, 2020, at the age of 88 – read our tribute. You can also read Andrea Tacchi's interview with Daniel Friederich.
Books on Daniel Friederich
The bilingual book "Luthier d'Art" is the most complete record of his life and work; Orfeo Magazine No. 2 is devoted to him (see our post or read the issue online), and a 2008 Friederich is among the guitars shown in Orfeo's "34 Classical Guitars in Life Size":



