2003 Eric Sahlin CD/AR
| Year | 2003 |
| Top | Cedar |
| Back & Sides | African Rosewood |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | Lacquer |
| Country | USA |
| Luthier | Eric Sahlin |
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Description

A 2003 Eric Sahlin classical guitar in Western red cedar and African rosewood, from the Washington State maker known for his twisted-neck design.
Sound of the 2003 Sahlin
This beautiful instrument from 2003 is made from aged African rosewood for the back and sides and Western red cedar for the soundboard. Tonally it is bright and punchy, with great depth and an even balance from the basses to the trebles – full-bodied and extremely clear.
Headstock, Rosette and Tie-Block
As always with Eric, the workmanship is phenomenal – the perfection of the craftsmanship almost requires a microscope to appreciate. The headstock, rosette and tie-block carry Eric's elegant, minimalistic mother-of-pearl accents – a unique and beautiful aesthetic.
Ergonomics and Condition
Then there is the famous Sahlin neck, with its slight "twist" in the profile – in the lower positions the left-hand wrist stays straighter and less "bent", even for barres, which eases a great deal of stress. One of the most ergonomically well thought-out designs we've seen.
Although this is a used guitar, condition is near-mint, with no repairs or damage and almost no superficial wear.
Read more: Orfeo Magazine No. 10 – West Coast Luthiers
Background
Eric Sahlin: American Classical Guitar Maker
Eric Sahlin is one of the great American luthiers who has achieved world-class status, with a waiting list of over a decade and significant demand in the US, Europe and Japan. Born and raised in Spokane, Washington, he is self-taught and builds in Valleyford, just outside the city.
From UC Santa Barbara to a Full-Time Workshop
His first exposure to the classical guitar came in his teens, when his brother took up the instrument – and with it came the great guitar recordings on his brother's Musical Heritage Society LPs. At UC Santa Barbara, with its strong classical guitar program, Eric decided in 1975, his first year, to build a guitar of his own: a love of woodworking since early childhood and an interest in acoustical physics made it seem like a wonderful adventure. He studied the books, bought his first woods that spring and finished the guitar that summer. By the time a second one was done, his career was decided.
He set up shop building custom furniture while honing his guitar making on the side, and by 1978/79 he was building guitars full-time – helped by a chance connection with George Dauphinais of the Dauphin Company, a mail-order business that marketed Eric's 7-, 8- and 10-string guitars as a less expensive alternative to the multi-string instruments then on offer.
Lutes, Then Classical Guitars Only
In the early 1980s a lutenist friend asked Eric for a lute. He enjoyed the project so much that he studied these instruments in depth and built various lute models alongside his guitars. By the end of the decade, with the guitar market strengthening and his reputation established, he turned exclusively to his first love, the classical guitar.
Players and Design
Sahlin guitars have been played by Scott Tennant, Andrew York, Ottmar Liebert (flamenco), Carsten Pedersen and other top players worldwide. They are known for precise, restrained mother-of-pearl trim and for Eric's innovative "twisted" fingerboard, which he talked about when Orfeo Magazine visited his Spokane-area workshop for its West Coast issue (No. 10, 2017).
