Posts from ‘News’

Oct
10

We have photos of the next guitar coming to us from luthier Zoran Kuvac, who is based in Bosnia and Herzegovina – his 250th instrument. For this special guitar Kuvac has decided to make a guitar structurally inspired by the great French luthier Dominique Field, though the aesthetics are Kuvac’s own.

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Oct
10

We have photos of the new guitar on its way to us from German luthier Dominik Wurth – a Torres model in spruce and cypress based on the largest body size Torres ever created. Dominik is currently finishing up the French polish and the guitar should be on its way to us very soon.

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Oct
05

Giovanetti

We have photos of the first guitar on its way to us from Italian luthier Ennio Giovanetti – a gorgeous spruce and CSA rosewood guitar that should be shipping to us very soon. We look forward to welcoming Ennio to the GSI family and will share some audio of the guitar as soon as it arrives.

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Sep
26

Fuller

We have photos of the next guitar on its way to us from English luthier Jake Fuller. The woods used for this guitar have a great story, which Jake tells us in his own words:

“The old spruce is from a violin wedge some I got from a cello maker. The guitars has a four piece top and a three-piece English cherry back. Sounded good from the first strum.

“I was offered a few pieces of this spruce by the violin maker, who was given them by a retired cello/violin maker (now deceased). You can tell it’s old when you work it. The best way to describe it is fossilized. This guitar was made from one of the best wedges. You can see the darkening of the wood at the ends from years of being stored. It must be over 50 years old at least to get to this state. The old spruce wood seems to give the guitars a played-in feel from the beginning.

“The English Cherry came from a local wood dealer who specialises in indigenous hardwoods. It came from a large pile of reclaimed floor boards. It’s one of my favourite woods for the back and sides. Firstly, it’s satisfying to use wood from my country. It’s a wood of medium density, sitting between cypress and rosewood, similar to maple. Unlike maple, which has a dullish tap tone, it has a nice clear ring to it, more like a rosewood. Subsequently it gives the guitar a wider range of qualities, from the warmth of maple, to the presence of rosewood. It also has a wonderful colour with a subtle figure.”

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Sep
22

Brogger2

Here’s a great video of Danish luthier Kenneth Brogger working in his new shop in Fornalutx, in Mallorca, Spain. The guitar you see at 1:53 with the gorgeous rosewood is the next concert guitar that Kenneth is working on for GSI, which should be ready soon!

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Sep
15

PepePine

We stopped by the Romero compound in Del Mar, CA and spent some time with Pepe Romero and the Blochinger Pine Guitar, and of course we had to record Pepe playing the guitar itself. Check out Pepe playing Evocación and Tonadilla by Angel Barrios on this magnificent instrument and then discussing the history of the woods with GSI president David Collett. And you can read much more about the guitar and the wood used for the pine top here.

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Sep
14

hospitalreal

This is the second of two instruments that Edmund Blöchinger built nearly side-by-side, using a flitch set of CSA for the back and sides, but using two different (and equally ancient) tops for each one. A couple of weeks before this instrument arrived, we had received the first of these, his “Dome” guitar with the sister set of back and sides to this pine, which itself has its own incredible back-story that you can read here. But let us turn to this pine-topped instrument, which is an entirely different marvel unto itself also with its own compelling background.

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Sep
10

BarbaLabel

We have two guitars being built for us by the great Sevilla flamenco maker Francisco Barba, so I stopped by the shop when I was in Spain to pay a visit. Francisco wasn’t there that day, but I got to hang out with his sons, Juan and Jose, and see the shop, which is quite spacious and turns out to be the home in which the sons were born, now converted to a shop. Unlike most makers, who make a few guitars at a time, the Barbas work in one large batches that they complete once a year, so that they spend most of each year preparing all the parts they will use to make a year’s worth of guitars. They prepare the woods in winter when the humidity is high, they assemble the guitars in the spring and they finish guitars in the fall.

Aside from the birds, one of the more interesting thing I noticed in the shop was the circular cutouts from the soundholes (see photos) that they keep so that if ever need to make repairs they have wood from the top of the very guitar they are repairing. We have a blanca and a negra coming from them which should be ready shortly.

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Sep
01

image001

Sign up or update your info to receive the new 2018 GSI catalog and be automatically entered to win a new Loriente Clarita (in either cedar or spruce) or Loriente Carmen (choose the blanca or the negra). Just go to the signup page and enter your mailing address AND your email address and you’ll be automatically entered to win. Then sit back and wait for the new catalog!

*Entries must include both email address and mailing address to be eligible for Loriente guitar giveaway. Winner will be notified on December 1, 2017

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Aug
31

Festival-Logo

GSI is very proud to be a sponsor of the 1st International Antonio Marín Montero Guitar Making Competition which takes place in Granada this October 26-29 and is part of the 1st Annual Granada Guitar Festival. Among the panel of distinguished guitarists and makers who will comprise the jury will be our friends Jose Marín Plazuelo, Edmund Blochinger, Dr. Scott Morris (who organized the CSU Summer Arts program that collaborates with the Festival), David Collett, president of GSI, and many more. The winning guitar makers will have their instruments sold at GSI.

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