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Museum

1930 Francisco Simplicio No. 279 SP/MH

Year 1930
Top Spruce
Back & Sides Mahogany
Scale Length 650 mm
Nut width 50 mm
Finish French Polish
Country Spain
Luthier Francisco Simplicio

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Description

Cover of Orfeo Magazine No. 1 with its feature on Francisco Simplicio

This 1930 Francisco Simplicio is a spruce and quilted mahogany classical guitar from Barcelona, No. 279 – a late guitar, built two years before his death, from a rarely seen quilted mahogany.

No. 279 with Quilted Mahogany

In addition to the beautiful and ornate carving and inlay work, the materials are striking – most notably it is built from a set of gorgeous quilted mahogany for the back and sides – a rarely seen wood since this time and a visual treat for players and collectors alike. With its heavily engraved headstock, it shows Simplicio at the height of his craft.

Sound

Tonally, this Simplicio is particularly magnificent – a big bottom-end, lyrical trebles and great depth to every note up the register. Overall, a highly desirable guitar from this remarkable builder.

Orfeo article on Simplicio – the French guitar magazine Orfeo devoted a feature to Francisco and Miguel Simplicio in its first issue.

Background

Francisco Simplicio: Enrique García's Only Pupil

Francisco Simplicio (1874–1932) was brought up in Barcelona and was a cabinet-maker before he turned to guitar making in the workshop of Enrique García, the founder of the Barcelona school. He joined García in 1918, and the guitars of García's last years were built by the two of them together. When García died in 1922, Simplicio took over the premises at Paseo de San Juan 110, and his labels proudly state that he was García's "successor and only pupil" – "Suc. y único discípulo de Enrique García" – with García's Chicago 1893 medals.

Carved Headstocks and Art Nouveau Ornament

Simplicio was known not only for the beautiful tone of his instruments, but also for his exquisite workmanship and use of extravagant ornamentation. The ornate purfling and rosette detailing are immediately recognizable features of his work, as are the heavily and beautifully engraved headstocks, very much in the Art Nouveau taste of Barcelona at the time. His standard head was based on the Torres pattern, he often fitted a "tornavoz" (a conical tube attached to the soundhole), and in 1929 he won a gold medal at the World's Fair in Barcelona. He died in January 1932 and his son Miguel carried on the workshop.

The Simplicio Sound

The famous 'sound' of Simplicio is perhaps the most unique of the great makers of the twentieth century – it has a very "old-world" charm, and players of these guitars often remark how they are transported psychologically to another world when playing a Simplicio. His guitars left their mark on later makers such as Ignacio Fleta and Daniel Friederich, and they are sought after by collectors because despite their age they continue to play well.

Guitars by Francisco Simplicio