2010 Daniel Friederich No. 827 CD/IN
| Year | 2010 |
| Top | Cedar |
| Back & Sides | Indian Rosewood |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | French Polish |
| Country | France |
| Luthier | Daniel Friederich |
This guitar is no longer available in our inventory. If it interests you, click the ”notify me when available” button to be notified in the event that we re-acquire this guitar for re-sale.
Description
This 2010 Daniel Friederich No. 827 is a cedar and Indian rosewood classical guitar from Paris, with Friederich's handwritten certificate – one of the new guitars he sent to GSI, his exclusive worldwide dealer, one a year.
No. 827 and Friederich's Certificate
The guitar comes with a certificate in Friederich's own hand, dated Paris, August 27, 2010 and addressed "to all the users of my guitar No. 827". In it he certifies that the guitar bearing his brand and handwritten label No. 827 was made entirely by him, in all its parts and its varnish: the top of American red cedar, the body of Indian rosewood, the neck of very old Tabasco (Mexico) mahogany, the "special" tuners by David Rodgers, and a playing weight of 1835 grams – adding that it should be kept at around 60% humidity.
Sound
This guitar lives up to its reputation with ease. It has bold, powerful basses with perfectly smooth, silky and creamy trebles – all the way to the 19th fret. Even as a new instrument, this had to be one of the finest guitars money could buy. In these years Friederich built only six guitars a year and had a closed waiting list of some 20 years – yet as his exclusive worldwide dealer for new guitars, GSI received one instrument a year from him.
Background
Daniel Friederich: Paris Master of the French School
Daniel Friederich (1932–2020) was one of the most respected and influential classical guitar makers of the twentieth century. Born in Paris, he built his first guitar in 1955 – a simple copy of a Francisco Simplicio – became a full-time maker in his Paris workshop in 1960 after showing his work to Robert Bouchet, and in 1967 won top prizes at the legendary Liège competition: a gold medal for craftsmanship and a silver for sound, awarded anonymously by a jury that included Bouchet and Ignacio Fleta.
The elegant body shape and the distinctive headstock with its raised central design make his guitars easy to recognize, and they are known for their unsurpassed aesthetic as well as their beautiful and magisterial quality of tone. Many of the best players in the world have played them, including the Romeros, Manuel Barrueco, Julian Bream, Scott Tennant, Roberto Aussel, Eduardo Fernández, Álvaro Pierri and David Tanenbaum.
Concert, Recital and Arpège Models
In the 1960s Friederich built two main lines: the "Concert" model – his most advanced guitar, with a carved head, specially designed machine heads, the finest woods and a serial number on the label – and the less expensive "Recital" and "Arpège" models, which carried no serial number. From 1970 on he made only "Concert" guitars, each label giving the number and year. In his own words, his earlier guitars were "relatively simple, pleasant to play" with a "quite explosive" sound; from about 1973 he increased their weight, for more sustain and a richer, sweeter voice.
Daniel Friederich and GSI
GSI was proud to be Friederich's exclusive worldwide dealer for his new guitars until he retired in 2014, and for over 20 years we received one guitar a year from him. He passed away in Paris on November 4, 2020, at the age of 88 – read our tribute. You can also read Andrea Tacchi's interview with Daniel Friederich.
Books on Daniel Friederich
The bilingual book "Luthier d'Art" is the most complete record of his life and work; Orfeo Magazine No. 2 is devoted to him (see our post or read the issue online), and a 2008 Friederich is among the guitars shown in Orfeo's "34 Classical Guitars in Life Size":



