2010 José Ramírez "2a" No. Y9-058 CD/IN

This 2010 José Ramírez "2a" No. Y9-058 is a classical guitar with a cedar top and Indian rosewood back and sides – the reissued "2a"; Almer Imamovic plays Albéniz's "Asturias" on it in the video above.

A 2010 José Ramírez from Madrid

This guitar was built in the famous José Ramírez workshop in Madrid, which for well over half a century has made instruments for countless professionals – Sting and Segovia, Chet Atkins and Sabicas, Lee Ritenour and Christopher Parkening. Amalia Ramírez, who took over from her brother José IV in 2000, inspects every guitar from the workshop during and after construction; this one comes from her second decade in charge.

The Reissued "2a"

The workshop re-introduced the classic "2a" model after more than two decades out of production. It follows the classic design originally conceived by José Ramírez III and is identical to the standard "Tradicional" in all ways, except that it uses materials that may have minor aesthetic blemishes, such as small knots or what in Spain are called "cocas" (darker areas of resin concentration in the grain).

Sound and Label

The tone and workmanship are first-class, and the sound is on par with the best that the Ramírez workshop has to offer – a professional-level concert guitar with the authentic Ramírez sound, for a new generation of guitarists. The label, "Clase 2ª" with "C650 Tradicional" written beside it, is dated 2010, numbered Y9-058 and signed by Amalia Ramírez.

To learn more about the family and its workshop, read The Ramírez Family: Masters of the Guitar, our history of the family from Amalia Ramírez back to José I, and myths and facts about this legendary workshop.

The José Ramírez Workshop of Madrid

Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.

Ramírez Craftsmen and the Next Generations

From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.

The Workshop Under Amalia Ramírez

Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.