2012 José Ramírez "FL2" SP/CY
| Year | 2012 |
| Top | Spruce |
| Back & Sides | Cypress |
| Scale Length | 650 mm |
| Nut width | 52 mm |
| Finish | Lacquer |
| Country | Spain |
| Luthier | Amalia Ramírez |
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Videos
Description
This 2012 José Ramírez "FL2" is a flamenco guitar with a spruce top and cypress back and sides, all solid woods; Grisha Goryachev plays Paco de Lucía on an FL2 in the video above.
A 2012 José Ramírez from Madrid
This guitar was built in the famous José Ramírez workshop in Madrid, which for well over half a century has made instruments for countless professionals – Sting and Segovia, Chet Atkins and Sabicas, Lee Ritenour and Christopher Parkening. It was made at Calle de la Paz 8 at the start of the second decade under Amalia Ramírez, who has directed the family business since the death of her brother José IV in 2000.
The "FL2" Student Flamenco
This all-solid guitar was the only student flamenco model offered by Ramírez. It has a quick attack and a bright sound, and it is easy to play, with very low action – one of the best choices for a student flamenco.
Condition, Video and Label
Although used, it is in almost like-new condition – apart from two small dings on the soundboard, it is flawless. In the video above Grisha Goryachev plays a bulería by Paco de Lucía on a Ramírez FL2. The orange "Guitarras de Estudio" FL2 label is dated 2012 and stamped "Calidad Ramírez" – "Diseñada, Revisada y Certificada por Ramírez".
To learn more about the family and its workshop, read The Ramírez Family: Masters of the Guitar, our history of the family from Amalia Ramírez back to José I, and myths and facts about this legendary workshop.
Background
The José Ramírez Workshop of Madrid
Founded in Madrid in 1882 by José Ramírez I, the Ramírez workshop has produced guitars for more than a century and through five generations of the family. José Ramírez III (1922–1995) took over as maestro in 1957 and developed the Ramírez concert guitar we know today – large in body, with a long string length and a cedar or spruce top, with great power, sustain, sweetness and balance across the entire register. He popularized western red cedar as a soundboard wood, and from the 1960s Andrés Segovia played José Ramírez guitars to the end of his days.
Ramírez Craftsmen and the Next Generations
From the 1960s to the 1990s the workshop trained many of the most talented guitarreros of the day, among them Paulino Bernabé and Manuel Contreras. In 1995 the shop moved from Calle Concepción Jerónima 2 to Calle de la Paz 8, and since the death of José Ramírez IV in June 2000 the business has been directed by his sister, Amalia Ramírez, who inspects every guitar during and after construction.
The Workshop Under Amalia Ramírez
Under Amalia Ramírez the workshop has kept the classic concert guitar at the heart of its range – the "1a" (first class) in the "Tradicional" design, its model code written by hand on the label: C650 for a cedar top with Indian rosewood, "-A" for a spruce (abeto) top, "-P" for CSA rosewood (palosanto) and "-AP" for both, with F656 and F656-A for the cedar and spruce flamencos. Around it she has built a wider family of models: the "Centenario" and "Elite", made with the workshop's most precious woods; the reissued "SP" and "2a"; the "Auditorio", "Antigua" and "Guitarra del Tiempo"; anniversary series such as the "125 Años" and "130 Años"; replicas of historic guitars, from the 1912 Manuel Ramírez played by Segovia to the 1913 "Guitarra de Tablao" of José Ramírez I; and the studio lines NE, R and FL. The concert guitars carry the Calle de la Paz 8 label, signed by Amalia Ramírez with her star signature and numbered with a letter-and-number code (Centenario and Elite have numbers of their own), while the studio guitars have an orange "Guitarras de Estudio" label, "Diseñada, Revisada y Certificada por Ramírez", with the red "Calidad Ramírez" stamp.

